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Tastemakers, Collectors, and Patrons

- Collecting American Art in the Long Nineteenth Century
Engelsk Hardback

Tastemakers, Collectors, and Patrons

- Collecting American Art in the Long Nineteenth Century
Engelsk Hardback
Tjek vores konkurrenters priser
Tastemakers, Collectors, and Patrons explores the dynamic landscape of American art collecting in the United States from the late eighteenth through the early twentieth centuries. The geographic range of collecting histories presented in this publication spans the country, including the Eastern Seaboard, the Old South, the Midwest, and the West Coast. In this volume, the contributing scholars investigate individual collectors and collectives whose missions to create regional and national collecting communities in the United States encouraged civic philanthropy in the fine arts. Key themes—such as the creation of an “American” school distinct from, yet rooted in, European tradition as well as the trials of forming publicly supported museums—reverberate throughout the publication. Essays examine early patrons, collectors, and museum founders; the impact of sectionalism, the Civil War, and reform on American collecting efforts; and the innovative and entrepreneurial spirit of artists, collectors, and dealers at the turn of the century and beyond. Each section foregrounds different issues, underscoring the complexity of the historical, cultural, and political environments in which collections of American art were formed. Together, the volume traces the evolving taste and market for American art in the United States. In addition to the editors, the contributors include Lynne D. Ambrosini, Sarah Cash, Samantha Deutch, Julie McGinnis Flanagan, Ilene Susan Fort, Barbara Dayer Gallati, Lance Humphries, Elizabeth Mankin Kornhauser, Sophie Lynford, Kimberly Orcutt, and Richard Saunders.
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Tastemakers, Collectors, and Patrons explores the dynamic landscape of American art collecting in the United States from the late eighteenth through the early twentieth centuries. The geographic range of collecting histories presented in this publication spans the country, including the Eastern Seaboard, the Old South, the Midwest, and the West Coast. In this volume, the contributing scholars investigate individual collectors and collectives whose missions to create regional and national collecting communities in the United States encouraged civic philanthropy in the fine arts. Key themes—such as the creation of an “American” school distinct from, yet rooted in, European tradition as well as the trials of forming publicly supported museums—reverberate throughout the publication. Essays examine early patrons, collectors, and museum founders; the impact of sectionalism, the Civil War, and reform on American collecting efforts; and the innovative and entrepreneurial spirit of artists, collectors, and dealers at the turn of the century and beyond. Each section foregrounds different issues, underscoring the complexity of the historical, cultural, and political environments in which collections of American art were formed. Together, the volume traces the evolving taste and market for American art in the United States. In addition to the editors, the contributors include Lynne D. Ambrosini, Sarah Cash, Samantha Deutch, Julie McGinnis Flanagan, Ilene Susan Fort, Barbara Dayer Gallati, Lance Humphries, Elizabeth Mankin Kornhauser, Sophie Lynford, Kimberly Orcutt, and Richard Saunders.
Produktdetaljer
Sprog: Engelsk
Sider: 240
ISBN-13: 9780271095240
Indbinding: Hardback
Udgave:
ISBN-10: 0271095245
Kategori: Kunsthistorie
Udg. Dato: 23 jan 2024
Længde: 23mm
Bredde: 203mm
Højde: 254mm
Forlag: Pennsylvania State University Press
Oplagsdato: 23 jan 2024
Forfatter(e):
Forfatter(e)


Kategori Kunsthistorie


ISBN-13 9780271095240


Sprog Engelsk


Indbinding Hardback


Sider 240


Udgave


Længde 23mm


Bredde 203mm


Højde 254mm


Udg. Dato 23 jan 2024


Oplagsdato 23 jan 2024


Forlag Pennsylvania State University Press