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Stories of Tonality in the Age of Francois-joseph Fetis

Af: Thomas Christensen Engelsk Hardback

Stories of Tonality in the Age of Francois-joseph Fetis

Af: Thomas Christensen Engelsk Hardback
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Stories of Tonality in the Age of François-Joseph Fétis explores the concept of musical tonality through the writings of the Belgian musicologist François-Joseph Fétis (1784–1867), who was singularly responsible for theorizing and popularizing the term in the nineteenth century. Thomas Christensen weaves a rich story in which tonality emerges as a theoretical construct born of anxiety and alterity for Europeans during this time as they learned more about “other” musics and alternative tonal systems. Tonality became a central vortex in which French musicians thought—and argued—about a variety of musical repertoires, be they contemporary European musics of the stage, concert hall, or church, folk songs from the provinces, microtonal scale systems of Arabic and Indian music, or the medieval and Renaissance music whose notational traces were just beginning to be deciphered by scholars. Fétis’s influential writings offer insight into how tonality ingrained itself within nineteenth-century music discourse, and why it has continued to resonate with uncanny prescience throughout the musical upheavals of the twentieth and twenty-first centuries.  
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Stories of Tonality in the Age of François-Joseph Fétis explores the concept of musical tonality through the writings of the Belgian musicologist François-Joseph Fétis (1784–1867), who was singularly responsible for theorizing and popularizing the term in the nineteenth century. Thomas Christensen weaves a rich story in which tonality emerges as a theoretical construct born of anxiety and alterity for Europeans during this time as they learned more about “other” musics and alternative tonal systems. Tonality became a central vortex in which French musicians thought—and argued—about a variety of musical repertoires, be they contemporary European musics of the stage, concert hall, or church, folk songs from the provinces, microtonal scale systems of Arabic and Indian music, or the medieval and Renaissance music whose notational traces were just beginning to be deciphered by scholars. Fétis’s influential writings offer insight into how tonality ingrained itself within nineteenth-century music discourse, and why it has continued to resonate with uncanny prescience throughout the musical upheavals of the twentieth and twenty-first centuries.  
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Produktdetaljer
Sprog: Engelsk
Sider: 368
ISBN-13: 9780226626925
Indbinding: Hardback
Udgave:
ISBN-10: 022662692X
Kategori: Musikanmeldelser & Krititk
Udg. Dato: 27 maj 2019
Længde: 27mm
Bredde: 162mm
Højde: 233mm
Forlag: The University of Chicago Press
Oplagsdato: 27 maj 2019
Forfatter(e): Thomas Christensen
Forfatter(e) Thomas Christensen

Kategori Musikanmeldelser & Krititk

ISBN-13 9780226626925

Sprog Engelsk

Indbinding Hardback

Sider 368

Udgave

Længde 27mm

Bredde 162mm

Højde 233mm

Udg. Dato 27 maj 2019

Oplagsdato 27 maj 2019

Forlag The University of Chicago Press

Kategori sammenhænge