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  1. Bog
  2. Kunst: teknikker og motiver
  3. Kunsthistorie

Romanesque - Picasso

Af: Emilia Philippot, Juan Jose Lahuerta Engelsk Paperback

Romanesque - Picasso

Af: Emilia Philippot, Juan Jose Lahuerta Engelsk Paperback
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This beautifully illustrated book, the catalog for an exhibition on view at the National Museum of Art of Catalonia in Barcelona and coorganized with the Picasso Museum in Paris, explores important affinities between Picasso and Romanesque art. Using two key moments as starting points, Juan Jose Lahuerta and Emilia Philippot first discuss the summer of 1906, when Picasso stayed in the village of Gosol in the Catalan Pyrenees, and then turn to 1934, as he visited the Romanesque art collections of what is today the National Museum of Art of Catalonia. Picasso's discovery of the Romanesque nurtured his interest in other "primitive" or ethnographic art, later echoed in such decisive works as Les Demoiselles d'Avignon. Importantly, while Lahuerta and Philippot avoid any attempt to trace direct Romanesque influences on Picasso as they note, his work consistently escapes such linear accounts they do demonstrate that Picasso's interest in the twelfth-century sculpture Virgin from Gosol, his lifelong fascination with the theme of the crucifixion, and his study of the skull all reflect elements that were also of major importance in Romanesque art and architecture. What these shared features allow, Lahuerta and Philippot ultimately argue, is not only a richer understanding of Picasso's work, but also a rediscovering and reinvention of Romanesque art in our contemporary moment, causing the medieval to become refreshingly and paradoxically modern.
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This beautifully illustrated book, the catalog for an exhibition on view at the National Museum of Art of Catalonia in Barcelona and coorganized with the Picasso Museum in Paris, explores important affinities between Picasso and Romanesque art. Using two key moments as starting points, Juan Jose Lahuerta and Emilia Philippot first discuss the summer of 1906, when Picasso stayed in the village of Gosol in the Catalan Pyrenees, and then turn to 1934, as he visited the Romanesque art collections of what is today the National Museum of Art of Catalonia. Picasso's discovery of the Romanesque nurtured his interest in other "primitive" or ethnographic art, later echoed in such decisive works as Les Demoiselles d'Avignon. Importantly, while Lahuerta and Philippot avoid any attempt to trace direct Romanesque influences on Picasso as they note, his work consistently escapes such linear accounts they do demonstrate that Picasso's interest in the twelfth-century sculpture Virgin from Gosol, his lifelong fascination with the theme of the crucifixion, and his study of the skull all reflect elements that were also of major importance in Romanesque art and architecture. What these shared features allow, Lahuerta and Philippot ultimately argue, is not only a richer understanding of Picasso's work, but also a rediscovering and reinvention of Romanesque art in our contemporary moment, causing the medieval to become refreshingly and paradoxically modern.
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Produktdetaljer
Sprog: Engelsk
Sider: 257
ISBN-13: 9788480432870
Indbinding: Paperback
Udgave:
ISBN-10: 848043287X
Kategori: Kunsthistorie
Udg. Dato: 15 apr 2017
Længde: 20mm
Bredde: 273mm
Højde: 224mm
Forlag: Editorial Tenov S.L.
Oplagsdato: 15 apr 2017
Forfatter(e): Emilia Philippot, Juan Jose Lahuerta
Forfatter(e) Emilia Philippot, Juan Jose Lahuerta

Kategori Kunsthistorie

ISBN-13 9788480432870

Sprog Engelsk

Indbinding Paperback

Sider 257

Udgave

Længde 20mm

Bredde 273mm

Højde 224mm

Udg. Dato 15 apr 2017

Oplagsdato 15 apr 2017

Forlag Editorial Tenov S.L.

Kategori sammenhænge