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  1. Bog
  2. Kunst: teknikker og motiver
  3. Kunsthistorie

Picturesque and Sublime

- Thomas Cole's Trans-Atlantic Inheritance
Af: Jennifer Raab, Tim Barringer, Gillian Forrester Engelsk Paperback

Picturesque and Sublime

- Thomas Cole's Trans-Atlantic Inheritance
Af: Jennifer Raab, Tim Barringer, Gillian Forrester Engelsk Paperback
Tjek vores konkurrenters priser
Landscape art in the early 19th century was guided by two rival concepts: the picturesque, which emphasized touristic pleasures and visual delight, and the sublime, an aesthetic category rooted in notions of fear and danger. British artists including J.M.W. Turner and John Constable raised landscape painting to new heights and their work reached global audiences through the circulation of engravings. Thomas Cole, born in England, emigrated to the United States in 1818, and first absorbed the picturesque and sublime through print media. Cole transformed British and continental European traditions to create a distinctive American form of landscape painting. The authors here explore the role of prints as agents of artistic transmission and look closely at how Cole’s own creative process was driven by works on paper such as drawings, notebooks, letters, and manuscripts. Also considered is the importance of the parallel works of William Guy Wall, best known for his pioneering Hudson River Portfolio. Beautifully illustrated with works on paper ranging from watercolors to etchings, mezzotints, aquatints, engravings, and lithographs, as well as notable paintings, this book offers important insights into Cole’s formulation of a profound new category in art—the American sublime. Published in association with the Thomas Cole National Historic SiteExhibition Schedule:Thomas Cole National Historic Site (05/01/18–11/04/18)
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Landscape art in the early 19th century was guided by two rival concepts: the picturesque, which emphasized touristic pleasures and visual delight, and the sublime, an aesthetic category rooted in notions of fear and danger. British artists including J.M.W. Turner and John Constable raised landscape painting to new heights and their work reached global audiences through the circulation of engravings. Thomas Cole, born in England, emigrated to the United States in 1818, and first absorbed the picturesque and sublime through print media. Cole transformed British and continental European traditions to create a distinctive American form of landscape painting. The authors here explore the role of prints as agents of artistic transmission and look closely at how Cole’s own creative process was driven by works on paper such as drawings, notebooks, letters, and manuscripts. Also considered is the importance of the parallel works of William Guy Wall, best known for his pioneering Hudson River Portfolio. Beautifully illustrated with works on paper ranging from watercolors to etchings, mezzotints, aquatints, engravings, and lithographs, as well as notable paintings, this book offers important insights into Cole’s formulation of a profound new category in art—the American sublime. Published in association with the Thomas Cole National Historic SiteExhibition Schedule:Thomas Cole National Historic Site (05/01/18–11/04/18)
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Produktdetaljer
Sprog: Engelsk
Sider: 192
ISBN-13: 9780300233537
Indbinding: Paperback
Udgave:
ISBN-10: 0300233531
Kategori: Kunsthistorie
Udg. Dato: 6 mar 2018
Længde: 19mm
Bredde: 283mm
Højde: 234mm
Forlag: Yale University Press
Oplagsdato: 6 mar 2018
Forfatter(e): Jennifer Raab, Tim Barringer, Gillian Forrester
Forfatter(e) Jennifer Raab, Tim Barringer, Gillian Forrester

Kategori Kunsthistorie

ISBN-13 9780300233537

Sprog Engelsk

Indbinding Paperback

Sider 192

Udgave

Længde 19mm

Bredde 283mm

Højde 234mm

Udg. Dato 6 mar 2018

Oplagsdato 6 mar 2018

Forlag Yale University Press

Kategori sammenhænge