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Inconceivable Effects

- Ethics through Twentieth-Century German Literature, Thought, and Film
Af: Martin Blumenthal-Barby Engelsk Paperback

Inconceivable Effects

- Ethics through Twentieth-Century German Literature, Thought, and Film
Af: Martin Blumenthal-Barby Engelsk Paperback
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In Inconceivable Effects, Martin Blumenthal-Barby reads theoretical, literary and cinematic works that appear noteworthy for the ethical questions they raise. Via critical analysis of writers and filmmakers whose projects have changed our ways of viewing the modern world—including Hannah Arendt, Franz Kafka, Walter Benjamin, the directors of Germany in Autumn, and Heiner Mueller—these essays furnish a cultural base for contemporary discussions of totalitarian domination, lying and politics, the relation between law and body, the relation between law and justice, the question of violence, and our ways of conceptualizing "the human."

A consideration of ethics is central to the book, but ethics in a general, philosophical sense is not the primary subject here; instead, Blumenthal-Barby suggests that whatever understanding of the ethical one has is always contingent upon a particular mode of presentation (Darstellung), on particular aesthetic qualities and features of media. Whatever there is to be said about ethics, it is always bound to certain forms of saying, certain ways of telling, certain modes of narration. That modes of presentation differ across genres and media goes without saying; that such differences are intimately linked with the question of the ethical emerges with heightened urgency in this book.

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In Inconceivable Effects, Martin Blumenthal-Barby reads theoretical, literary and cinematic works that appear noteworthy for the ethical questions they raise. Via critical analysis of writers and filmmakers whose projects have changed our ways of viewing the modern world—including Hannah Arendt, Franz Kafka, Walter Benjamin, the directors of Germany in Autumn, and Heiner Mueller—these essays furnish a cultural base for contemporary discussions of totalitarian domination, lying and politics, the relation between law and body, the relation between law and justice, the question of violence, and our ways of conceptualizing "the human."

A consideration of ethics is central to the book, but ethics in a general, philosophical sense is not the primary subject here; instead, Blumenthal-Barby suggests that whatever understanding of the ethical one has is always contingent upon a particular mode of presentation (Darstellung), on particular aesthetic qualities and features of media. Whatever there is to be said about ethics, it is always bound to certain forms of saying, certain ways of telling, certain modes of narration. That modes of presentation differ across genres and media goes without saying; that such differences are intimately linked with the question of the ethical emerges with heightened urgency in this book.

Produktdetaljer
Sprog: Engelsk
Sider: 222
ISBN-13: 9780801478123
Indbinding: Paperback
Udgave:
ISBN-10: 080147812X
Udg. Dato: 15 aug 2013
Længde: 12mm
Bredde: 155mm
Højde: 235mm
Forlag: Cornell University Press
Oplagsdato: 15 aug 2013
Forfatter(e): Martin Blumenthal-Barby
Forfatter(e) Martin Blumenthal-Barby


Kategori Filmhistorie, teori & kritik


ISBN-13 9780801478123


Sprog Engelsk


Indbinding Paperback


Sider 222


Udgave


Længde 12mm


Bredde 155mm


Højde 235mm


Udg. Dato 15 aug 2013


Oplagsdato 15 aug 2013


Forlag Cornell University Press

Kategori sammenhænge