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Il Tempio. La nascita dell'Eidos

- The Temple. Birth of the Eidos
Engelsk Paperback

Il Tempio. La nascita dell'Eidos

- The Temple. Birth of the Eidos
Engelsk Paperback
Tjek vores konkurrenters priser

Between 1970 and 1971, Italian artists Paolo Scheggi and Vincenzo Agnetti worked together on a project they called The Temple. Birth of Eidos. Due to Scheggi’s untimely death in 1971 at the age of 31, the project remained unfinished. These previously unpublished preparatory sketches, drawings, and notes, which were shown at the Museo Novecento in Florence, are examined in essays by Ilaria Bignotti and Bruno Corà and texts by Germana Agnetti and Cosima Scheggi, daughters of the two artists and directors of their respective archives. The concept of the project was to create a sacred place, a temple, to contain linguistic objects representing primary forms of community, subjectivity and power, linking these with the artistic and theoretical research the two artists were conducting at the time.

Agnetti died 10 years after his friend and colleague. His research followed a new route but remained closely linked with that idea born in 1968, that “any work, any artistic object, any gesture is a critical reminder of reality and our existence”. (Germana Agnetti).

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Between 1970 and 1971, Italian artists Paolo Scheggi and Vincenzo Agnetti worked together on a project they called The Temple. Birth of Eidos. Due to Scheggi’s untimely death in 1971 at the age of 31, the project remained unfinished. These previously unpublished preparatory sketches, drawings, and notes, which were shown at the Museo Novecento in Florence, are examined in essays by Ilaria Bignotti and Bruno Corà and texts by Germana Agnetti and Cosima Scheggi, daughters of the two artists and directors of their respective archives. The concept of the project was to create a sacred place, a temple, to contain linguistic objects representing primary forms of community, subjectivity and power, linking these with the artistic and theoretical research the two artists were conducting at the time.

Agnetti died 10 years after his friend and colleague. His research followed a new route but remained closely linked with that idea born in 1968, that “any work, any artistic object, any gesture is a critical reminder of reality and our existence”. (Germana Agnetti).

Produktdetaljer
Sprog: Engelsk
Sider: 128
ISBN-13: 9788855210836
Indbinding: Paperback
Udgave:
ISBN-10: 8855210831
Kategori: Kunstteori
Udg. Dato: 14 feb 2022
Længde: 18mm
Bredde: 241mm
Højde: 168mm
Forlag: Forma Edizioni
Oplagsdato: 14 feb 2022
Forfatter(e):
Forfatter(e)


Kategori Kunstteori


ISBN-13 9788855210836


Sprog Engelsk


Indbinding Paperback


Sider 128


Udgave


Længde 18mm


Bredde 241mm


Højde 168mm


Udg. Dato 14 feb 2022


Oplagsdato 14 feb 2022


Forlag Forma Edizioni