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  2. Litteraturhistorie og kritik
  3. Litteraturstudier: skuespil & dramatik

Double Shakespeares

- Emotional-Realist Acting and Contemporary Performance
Af: Cary M. Mazer Engelsk Paperback

Double Shakespeares

- Emotional-Realist Acting and Contemporary Performance
Af: Cary M. Mazer Engelsk Paperback
Tjek vores konkurrenters priser
Double Shakespeares examines contemporary performances of Shakespeare plays that employ the “emotional realist” traditions of acting that were codified by Stanislavski over a century ago. These performances recognize the inescapable doubleness of realism: that the actor may aspire to be the character but can never fully do so. This doubleness troubled the late-nineteenth-century actors and theorists who first formulated realist modes of acting; and it equally troubles theorists and theatre practitioners today. The book first looks at contemporary performances that foreground the doubleness of the actor’s body, particularly through cross-dressing. It then examines narratives of Shakespearean rehearsal—both fictional representations of rehearsal in film and video, and eye-witness narratives of actual rehearsals—and how they show us the process by which the actor does or does not “become” the character. And, finally, it looks at modern performances that “frame” Shakespeare’s play as a play-within-a-play, showing the audience both the character in the Shakespeare play-within and the actor in the frame-play acting that character.
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Double Shakespeares examines contemporary performances of Shakespeare plays that employ the “emotional realist” traditions of acting that were codified by Stanislavski over a century ago. These performances recognize the inescapable doubleness of realism: that the actor may aspire to be the character but can never fully do so. This doubleness troubled the late-nineteenth-century actors and theorists who first formulated realist modes of acting; and it equally troubles theorists and theatre practitioners today. The book first looks at contemporary performances that foreground the doubleness of the actor’s body, particularly through cross-dressing. It then examines narratives of Shakespearean rehearsal—both fictional representations of rehearsal in film and video, and eye-witness narratives of actual rehearsals—and how they show us the process by which the actor does or does not “become” the character. And, finally, it looks at modern performances that “frame” Shakespeare’s play as a play-within-a-play, showing the audience both the character in the Shakespeare play-within and the actor in the frame-play acting that character.
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Produktdetaljer
Sprog: Engelsk
Sider: 200
ISBN-13: 9781611478457
Indbinding: Paperback
Udgave:
ISBN-10: 1611478456
Kategori: Litteraturstudier: skuespil & dramatik
Udg. Dato: 28 mar 2017
Længde: 20mm
Bredde: 228mm
Højde: 154mm
Forlag: Fairleigh Dickinson University Press
Oplagsdato: 28 mar 2017
Forfatter(e): Cary M. Mazer
Forfatter(e) Cary M. Mazer

Kategori Litteraturstudier: skuespil & dramatik

ISBN-13 9781611478457

Sprog Engelsk

Indbinding Paperback

Sider 200

Udgave

Længde 20mm

Bredde 228mm

Højde 154mm

Udg. Dato 28 mar 2017

Oplagsdato 28 mar 2017

Forlag Fairleigh Dickinson University Press

Kategori sammenhænge