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Creolized Aurality

- Guadeloupean Gwoka and Postcolonial Politics
Af: Jerome Camal Engelsk Paperback

Creolized Aurality

- Guadeloupean Gwoka and Postcolonial Politics
Af: Jerome Camal Engelsk Paperback
Tjek vores konkurrenters priser
In the Caribbean island of Guadeloupe, the complex interplay between anticolonial resistance and accommodation resounds in its music. Guadeloupean gwoka music--a secular, drum-based tradition--captures the entangled histories of French colonization, movements against it, and the uneasy process of the island's decolonization as an overseas territory of France. In Creolized Aurality, J r me Camal demonstrates that musical sounds and practices express the multiple--and often seemingly contradictory--cultural belongings and political longings that characterize postcoloniality. While gwoka has been associated with anti-colonial activism since the 1960s, in more recent years it has provided a platform for a cohort of younger musicians to express pan-Caribbean and diasporic solidarities. This generation of musicians even worked through the French state to gain UNESCO heritage status for their art. These gwoka practices, Camal argues, are "creolized auralities"--expressions of a culture both of and against French coloniality and postcoloniality.
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In the Caribbean island of Guadeloupe, the complex interplay between anticolonial resistance and accommodation resounds in its music. Guadeloupean gwoka music--a secular, drum-based tradition--captures the entangled histories of French colonization, movements against it, and the uneasy process of the island's decolonization as an overseas territory of France. In Creolized Aurality, J r me Camal demonstrates that musical sounds and practices express the multiple--and often seemingly contradictory--cultural belongings and political longings that characterize postcoloniality. While gwoka has been associated with anti-colonial activism since the 1960s, in more recent years it has provided a platform for a cohort of younger musicians to express pan-Caribbean and diasporic solidarities. This generation of musicians even worked through the French state to gain UNESCO heritage status for their art. These gwoka practices, Camal argues, are "creolized auralities"--expressions of a culture both of and against French coloniality and postcoloniality.
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Se mere i:
Produktdetaljer
Sprog: Engelsk
Sider: 256
ISBN-13: 9780226631776
Indbinding: Paperback
Udgave:
ISBN-10: 022663177X
Kategori: Kulturstudier
Udg. Dato: 24 jun 2019
Længde: 15mm
Bredde: 228mm
Højde: 153mm
Forlag: The University of Chicago Press
Oplagsdato: 24 jun 2019
Forfatter(e): Jerome Camal
Forfatter(e) Jerome Camal

Kategori Kulturstudier

ISBN-13 9780226631776

Sprog Engelsk

Indbinding Paperback

Sider 256

Udgave

Længde 15mm

Bredde 228mm

Højde 153mm

Udg. Dato 24 jun 2019

Oplagsdato 24 jun 2019

Forlag The University of Chicago Press

Kategori sammenhænge