Store besparelser
Hurtig levering
Gemte
Log ind
0
Kurv
Bøger
Bestsellers
Kommer snart
Nyheder
Spil og hobby
Hjem
Kategorier
Bestsellers
Kommer snart
Nyheder
FAQ
Konto
Kontakt
Kurv
  1. Bog
  2. Scenekunst
  3. Film og biografer

Balzac Reframed

- The Classical and Modern Faces of Eric Rohmer and Jacques Rivette
Af: Zahra Tavassoli Zea Engelsk Hardback

Balzac Reframed

- The Classical and Modern Faces of Eric Rohmer and Jacques Rivette
Af: Zahra Tavassoli Zea Engelsk Hardback
Tjek vores konkurrenters priser

This book examines the theoretical affiliations between the most notable proponent of literary realism, Honoré de Balzac, and two understated but key representatives of the French New Wave, Éric Rohmer and Jacques Rivette. It argues that their film criticism, which gradually led to the establishment of a common aesthetic vision of cinema (the "politique des auteurs"), owes more to Balzac and the nineteenth-century novel than to any intellectual trend of the immediate post-war period. By considering the films of Rohmer and Rivette as an extension of their writings (essays, film reviews, scriptwriting, novels and interviews), this volume analyses the changing and sometimes opposed ways in which they applied Balzacian principles and themes to their cinematic practice. Essentially, it understands the exchange between art forms, past traditions and contemporaneous currents as the overlooked yet common thread that links these three authors, through their own re-appropriations of classical and romantic aesthetics in their explorations of modern French society. In doing so, this study provides further nuance to the "conservative" versus "progressist" rupture that is generally assumed between the two directors, and offers an innovative reading of The Human Comedy in the light of post-war ideas on authorship, film adaptation, classicism and modernism.


Vis mere
Tjek vores konkurrenters priser
Normalpris
kr 764
Fragt: 39 kr
6 - 8 hverdage
20 kr
Pakkegebyr
God 4 anmeldelser på
Tjek vores konkurrenters priser

This book examines the theoretical affiliations between the most notable proponent of literary realism, Honoré de Balzac, and two understated but key representatives of the French New Wave, Éric Rohmer and Jacques Rivette. It argues that their film criticism, which gradually led to the establishment of a common aesthetic vision of cinema (the "politique des auteurs"), owes more to Balzac and the nineteenth-century novel than to any intellectual trend of the immediate post-war period. By considering the films of Rohmer and Rivette as an extension of their writings (essays, film reviews, scriptwriting, novels and interviews), this volume analyses the changing and sometimes opposed ways in which they applied Balzacian principles and themes to their cinematic practice. Essentially, it understands the exchange between art forms, past traditions and contemporaneous currents as the overlooked yet common thread that links these three authors, through their own re-appropriations of classical and romantic aesthetics in their explorations of modern French society. In doing so, this study provides further nuance to the "conservative" versus "progressist" rupture that is generally assumed between the two directors, and offers an innovative reading of The Human Comedy in the light of post-war ideas on authorship, film adaptation, classicism and modernism.


Vis mere
Se mere i:
Produktdetaljer
Sprog: Engelsk
Sider: 230
ISBN-13: 9783030306144
Indbinding: Hardback
Udgave:
ISBN-10: 3030306143
Kategori: Film og biografer
Udg. Dato: 26 nov 2019
Længde: 21mm
Bredde: 219mm
Højde: 156mm
Forlag: Springer Nature Switzerland AG
Oplagsdato: 26 nov 2019
Forfatter(e): Zahra Tavassoli Zea
Forfatter(e) Zahra Tavassoli Zea

Kategori Film og biografer

ISBN-13 9783030306144

Sprog Engelsk

Indbinding Hardback

Sider 230

Udgave

Længde 21mm

Bredde 219mm

Højde 156mm

Udg. Dato 26 nov 2019

Oplagsdato 26 nov 2019

Forlag Springer Nature Switzerland AG

Vi anbefaler også
Rosamunde Pilcher Vejen hjem
Vejen hjem
Rosamunde Pilcher
66 kr
Kategori sammenhænge