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  3. Religiøs musik

An Ethnomusicologist’s Last Lecture

- Music and Globalism, Philosophy and Religion
Af: Steven Loza Engelsk Hardback

An Ethnomusicologist’s Last Lecture

- Music and Globalism, Philosophy and Religion
Af: Steven Loza Engelsk Hardback
Tjek vores konkurrenters priser

An Ethnomusicologist’s Last Lecture: Music and Globalism, Philosophy and Religion explores the frustration of many scholars and artists with the content and directions of studies on music, which continue to be mostly based on Western thought, methods, theories, and even the modes of communicating ideas, and mostly through written, published works. Steven Loza argues that this pattern has pervaded both philosophy and ethnomusicology, fields which should be much more globally based in terms of intellectual analysis, culturally diverse points of view, and the recognition of multiple ways of thinking and doing. He criticizes what he perceives as an intellectual hegemony and biased approach to studying music, including the standards to which academics are held responsible, the manner in which we and our students have had to study music, and the forms by which we are pressured to present our findings, many times adapting theories and ideas that have nothing to do with the cultures we are examining through a one way microscope – and often a distorted lens. Loza takes the reader through an assortment of historical and contemporary global examples of musical expression, creative artists, and thinkers, looking for ways that we can assess how music both reflects and enacts culturally diverse peoples’ beliefs, thoughts, and world views.

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An Ethnomusicologist’s Last Lecture: Music and Globalism, Philosophy and Religion explores the frustration of many scholars and artists with the content and directions of studies on music, which continue to be mostly based on Western thought, methods, theories, and even the modes of communicating ideas, and mostly through written, published works. Steven Loza argues that this pattern has pervaded both philosophy and ethnomusicology, fields which should be much more globally based in terms of intellectual analysis, culturally diverse points of view, and the recognition of multiple ways of thinking and doing. He criticizes what he perceives as an intellectual hegemony and biased approach to studying music, including the standards to which academics are held responsible, the manner in which we and our students have had to study music, and the forms by which we are pressured to present our findings, many times adapting theories and ideas that have nothing to do with the cultures we are examining through a one way microscope – and often a distorted lens. Loza takes the reader through an assortment of historical and contemporary global examples of musical expression, creative artists, and thinkers, looking for ways that we can assess how music both reflects and enacts culturally diverse peoples’ beliefs, thoughts, and world views.

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Se mere i:
Produktdetaljer
Sprog: Engelsk
Sider: 252
ISBN-13: 9781666932966
Indbinding: Hardback
Udgave:
ISBN-10: 1666932965
Kategori: Religiøs musik
Udg. Dato: 7 dec 2023
Længde: 22mm
Bredde: 236mm
Højde: 159mm
Forlag: Lexington Books
Oplagsdato: 7 dec 2023
Forfatter(e): Steven Loza
Forfatter(e) Steven Loza

Kategori Religiøs musik

ISBN-13 9781666932966

Sprog Engelsk

Indbinding Hardback

Sider 252

Udgave

Længde 22mm

Bredde 236mm

Højde 159mm

Udg. Dato 7 dec 2023

Oplagsdato 7 dec 2023

Forlag Lexington Books

Kategori sammenhænge