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"The Human Face" and Other Writings on His Drawings

Af: Clayton Eshleman, Antonin Artaud, Stephen Barber, Richard Hawkins Engelsk Paperback

"The Human Face" and Other Writings on His Drawings

Af: Clayton Eshleman, Antonin Artaud, Stephen Barber, Richard Hawkins Engelsk Paperback
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The first comprehensive collection in English of Antonin Artaud’s writings on his artworks. The many major exhibitions of Antonin Artaud’s drawings and drawn notebook pages in recent years—at New York’s Museum of Modern Art, Vienna’s Museum Moderner Kunst, and Paris’s Centre Georges Pompidou—have entirely transformed our perception of his work, reorienting it toward the artworks of his final years. This volume collects all three of Artaud’s major writings on his artworks. “The Human Face” (1947) was written as the catalog text for Artaud’s only gallery exhibition of his drawings during his lifetime, focusing on his approach to making portraits of his friends at the decrepit pavilion in the Paris suburbs where he spent the final year of his life. “Ten years that language is gone” (1947) examines the drawings Artaud made in his notebooks—his main creative medium at the end of his life—and their capacity to electrify his creativity when language failed him. “50 Drawings to assassinate magic” (1948), the residue of an abandoned book of Artaud’s drawings, approaches the act of drawing as part of the weaponry deployed by Artaud at the very end of his life to combat malevolent assaults and attempted acts of assassination. Together, these three extraordinary texts—pitched between writing and image—project Artaud’s ferocious engagement with the act of drawing.  
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The first comprehensive collection in English of Antonin Artaud’s writings on his artworks. The many major exhibitions of Antonin Artaud’s drawings and drawn notebook pages in recent years—at New York’s Museum of Modern Art, Vienna’s Museum Moderner Kunst, and Paris’s Centre Georges Pompidou—have entirely transformed our perception of his work, reorienting it toward the artworks of his final years. This volume collects all three of Artaud’s major writings on his artworks. “The Human Face” (1947) was written as the catalog text for Artaud’s only gallery exhibition of his drawings during his lifetime, focusing on his approach to making portraits of his friends at the decrepit pavilion in the Paris suburbs where he spent the final year of his life. “Ten years that language is gone” (1947) examines the drawings Artaud made in his notebooks—his main creative medium at the end of his life—and their capacity to electrify his creativity when language failed him. “50 Drawings to assassinate magic” (1948), the residue of an abandoned book of Artaud’s drawings, approaches the act of drawing as part of the weaponry deployed by Artaud at the very end of his life to combat malevolent assaults and attempted acts of assassination. Together, these three extraordinary texts—pitched between writing and image—project Artaud’s ferocious engagement with the act of drawing.  
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Produktdetaljer
Sprog: Engelsk
Sider: 128
ISBN-13: 9783035802481
Indbinding: Paperback
Udgave:
ISBN-10: 3035802483
Kategori: Tegnekunst og tegninger
Udg. Dato: 31 jan 2023
Længde: 7mm
Bredde: 121mm
Højde: 188mm
Forlag: Diaphanes AG
Oplagsdato: 31 jan 2023
Forfatter(e): Clayton Eshleman, Antonin Artaud, Stephen Barber, Richard Hawkins
Forfatter(e) Clayton Eshleman, Antonin Artaud, Stephen Barber, Richard Hawkins

Kategori Tegnekunst og tegninger

ISBN-13 9783035802481

Sprog Engelsk

Indbinding Paperback

Sider 128

Udgave

Længde 7mm

Bredde 121mm

Højde 188mm

Udg. Dato 31 jan 2023

Oplagsdato 31 jan 2023

Forlag Diaphanes AG

Kategori sammenhænge