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On the Animation of the Inorganic

- Art, Architecture, and the Extension of Life
Af: Spyros Papapetros Engelsk Paperback

On the Animation of the Inorganic

- Art, Architecture, and the Extension of Life
Af: Spyros Papapetros Engelsk Paperback
Tjek vores konkurrenters priser
Throughout human history, people have imagined inanimate objects to have intelligence, language, and even souls. In our secular societies today, we still willingly believe that nonliving objects have lives of their own as we find ourselves interacting with computers and other equipment. In On the Animation of the Inorganic, Spyros Papapetros examines ideas about simulated movement and inorganic life during and after the turn of the twentieth century—a period of great technical innovation whose effects continue to reverberate today. Exploring key works of art historians such as Aby Warburg, Wilhelm Worringer, and Alois Riegl, as well as architects and artists like Fernand Léger, Mies van der Rohe, and Salvador Dalí, Papapetros tracks the evolution of the problem of animation from the fin de siècle through the twentieth century. He argues that empathy—the ability to identify with objects of the external world—was repressed by twentieth-century modernist culture, but it returned, projected onto inorganic objects such as machines, automobiles, and crystalline skyscrapers. These modern artifacts, he demonstrates, vibrated with energy, life, and desire of their own and had profound effects on people. Subtle and insightful, this book will change how we view modernist art, architecture, and their histories.
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Throughout human history, people have imagined inanimate objects to have intelligence, language, and even souls. In our secular societies today, we still willingly believe that nonliving objects have lives of their own as we find ourselves interacting with computers and other equipment. In On the Animation of the Inorganic, Spyros Papapetros examines ideas about simulated movement and inorganic life during and after the turn of the twentieth century—a period of great technical innovation whose effects continue to reverberate today. Exploring key works of art historians such as Aby Warburg, Wilhelm Worringer, and Alois Riegl, as well as architects and artists like Fernand Léger, Mies van der Rohe, and Salvador Dalí, Papapetros tracks the evolution of the problem of animation from the fin de siècle through the twentieth century. He argues that empathy—the ability to identify with objects of the external world—was repressed by twentieth-century modernist culture, but it returned, projected onto inorganic objects such as machines, automobiles, and crystalline skyscrapers. These modern artifacts, he demonstrates, vibrated with energy, life, and desire of their own and had profound effects on people. Subtle and insightful, this book will change how we view modernist art, architecture, and their histories.
Produktdetaljer
Sprog: Engelsk
Sider: 398
ISBN-13: 9780226380193
Indbinding: Paperback
Udgave:
ISBN-10: 022638019X
Kategori: Kunsthistorie
Udg. Dato: 13 apr 2016
Længde: 28mm
Bredde: 254mm
Højde: 179mm
Forlag: The University of Chicago Press
Oplagsdato: 13 apr 2016
Forfatter(e): Spyros Papapetros
Forfatter(e) Spyros Papapetros


Kategori Kunsthistorie


ISBN-13 9780226380193


Sprog Engelsk


Indbinding Paperback


Sider 398


Udgave


Længde 28mm


Bredde 254mm


Højde 179mm


Udg. Dato 13 apr 2016


Oplagsdato 13 apr 2016


Forlag The University of Chicago Press

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