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Vittoria Martini: Thomas Hirschhorn

- The Bijlmer Spinoza-Festival, The Ambassador's Diary
Engelsk Paperback

Vittoria Martini: Thomas Hirschhorn

- The Bijlmer Spinoza-Festival, The Ambassador's Diary
Engelsk Paperback
Tjek vores konkurrenters priser
The Bijlmer Spinoza-Festival is an artwork, a sculpture, created by Swiss artist Thomas Hirschhorn in a peripheral borough of Amsterdam’s south-east known as the Bijlmer in 2009. This book recounts the event through the eyes of its “Ambassador”, art historian Vittoria Martini, who was invited by the artist to be an eyewitness to the existence of this “precarious” work. A term Hirschhorn sees as positive and creative: a means of asserting the importance of the moment and of the place, of asserting the Here and Now to touch eternity and universality. Appreciating the art historian’s presence as a central element of his sculpture, Hirschhorn consciously challenged the certainties of the profession by empowering and activating the role, thus leading Martini to find a new working methodology that she calls “precarious art history”. Accompanying the readers through her experience of the physical existence of The Bijlmer Spinoza-Festival, Martini’s commentary leads to the profound understanding of how a work that no longer exists physically, can live on in the mind— elsewhere, at some other time—because in the meantime it has become universal.
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The Bijlmer Spinoza-Festival is an artwork, a sculpture, created by Swiss artist Thomas Hirschhorn in a peripheral borough of Amsterdam’s south-east known as the Bijlmer in 2009. This book recounts the event through the eyes of its “Ambassador”, art historian Vittoria Martini, who was invited by the artist to be an eyewitness to the existence of this “precarious” work. A term Hirschhorn sees as positive and creative: a means of asserting the importance of the moment and of the place, of asserting the Here and Now to touch eternity and universality. Appreciating the art historian’s presence as a central element of his sculpture, Hirschhorn consciously challenged the certainties of the profession by empowering and activating the role, thus leading Martini to find a new working methodology that she calls “precarious art history”. Accompanying the readers through her experience of the physical existence of The Bijlmer Spinoza-Festival, Martini’s commentary leads to the profound understanding of how a work that no longer exists physically, can live on in the mind— elsewhere, at some other time—because in the meantime it has become universal.
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Produktdetaljer
Sprog: Engelsk
Sider: 184
ISBN-13: 9783775752626
Indbinding: Paperback
Udgave:
ISBN-10: 3775752625
Kategori: Kunstnere, kunstmonografier
Udg. Dato: 9 mar 2023
Længde: 16mm
Bredde: 211mm
Højde: 141mm
Forlag: Hatje Cantz
Oplagsdato: 9 mar 2023
Forfatter(e):
Forfatter(e)

Kategori Kunstnere, kunstmonografier

ISBN-13 9783775752626

Sprog Engelsk

Indbinding Paperback

Sider 184

Udgave

Længde 16mm

Bredde 211mm

Højde 141mm

Udg. Dato 9 mar 2023

Oplagsdato 9 mar 2023

Forlag Hatje Cantz