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The Visible and the Invisible

- On Seventeenth-Century Dutch Painting
Af: Daniela Hammer-Tugendhat Engelsk Hardback

The Visible and the Invisible

- On Seventeenth-Century Dutch Painting
Af: Daniela Hammer-Tugendhat Engelsk Hardback
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The book addresses the scientific debates on Rembrandt, Metsu, Vermeer, and Hoogstraten that are currently taking place in art history and cultural studies. These focus mainly on the representation of gender difference, the relationship between text and image, and the emotional discourse. They are also an appeal for art history as a form of cultural studies that analyses the semantic potential of art within discursive and social contemporary practices.

Dutch painting of the seventeenth century reflects its relationship to visible reality. It deals with ambiguities and contradictions. As an avant-garde artistic media, it also contributes to the emergence of a subjectivity towards the modern “bourgeois”. It discards subject matter from its traditional fixation with iconology and evokes different imaginations and semantizations - aspects that have not been sufficiently taken into account in previous research.

The book is to be understood as an appeal for art history as a form of cultural science that analyses the semantic potential of art within discursive and social contemporary practices, and, at the same time, demonstrates its relevance today. Works by Rembrandt, Metsu, Vermeer, Hoogstraten, and others serve as exemplary case studies for addressing current debates in art history and cultural studies, such as representation of gender difference, relationship between text and image, and emotional discourse.

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The book addresses the scientific debates on Rembrandt, Metsu, Vermeer, and Hoogstraten that are currently taking place in art history and cultural studies. These focus mainly on the representation of gender difference, the relationship between text and image, and the emotional discourse. They are also an appeal for art history as a form of cultural studies that analyses the semantic potential of art within discursive and social contemporary practices.

Dutch painting of the seventeenth century reflects its relationship to visible reality. It deals with ambiguities and contradictions. As an avant-garde artistic media, it also contributes to the emergence of a subjectivity towards the modern “bourgeois”. It discards subject matter from its traditional fixation with iconology and evokes different imaginations and semantizations - aspects that have not been sufficiently taken into account in previous research.

The book is to be understood as an appeal for art history as a form of cultural science that analyses the semantic potential of art within discursive and social contemporary practices, and, at the same time, demonstrates its relevance today. Works by Rembrandt, Metsu, Vermeer, Hoogstraten, and others serve as exemplary case studies for addressing current debates in art history and cultural studies, such as representation of gender difference, relationship between text and image, and emotional discourse.

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Produktdetaljer
Sprog: Engelsk
Sider: 340
ISBN-13: 9783110426908
Indbinding: Hardback
Udgave:
ISBN-10: 3110426900
Kategori: 17. århundrede, 1600 til 1699
Udg. Dato: 26 feb 2015
Længde: 25mm
Bredde: 176mm
Højde: 246mm
Forlag: De Gruyter
Oplagsdato: 26 feb 2015
Forfatter(e): Daniela Hammer-Tugendhat
Forfatter(e) Daniela Hammer-Tugendhat

Kategori 17. århundrede, 1600 til 1699

ISBN-13 9783110426908

Sprog Engelsk

Indbinding Hardback

Sider 340

Udgave

Længde 25mm

Bredde 176mm

Højde 246mm

Udg. Dato 26 feb 2015

Oplagsdato 26 feb 2015

Forlag De Gruyter