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The People's Galleries

- Art Museums and Exhibitions in Britain, 1800–1914
Af: Giles Waterfield Engelsk Hardback

The People's Galleries

- Art Museums and Exhibitions in Britain, 1800–1914
Af: Giles Waterfield Engelsk Hardback
Tjek vores konkurrenters priser
This innovative history of British art museums begins in the early 19th century. The National Gallery and the South Kensington Museum (now the Victoria and Albert Museum) in London may have been at the center of activity, but museums in cities such as Glasgow, Leeds, Liverpool, Manchester, and Nottingham were immensely popular and attracted enthusiastic audiences. The People’s Galleries traces the rise of art museums in Britain through World War I, focusing on the phenomenon of municipal galleries. This richly illustrated book argues that these regional museums represented a new type of institution: an art gallery for a working-class audience, appropriate for the rapidly expanding cities and shaped by liberal ideals. As their broad appeal weakened with the new century, they adapted and became more conventional. Using a wide range of sources, the book studies the patrons and the publics, the collecting policies, the temporary exhibitions, and the architecture of these institutions, as well as the complex range of reasons for their foundation. Published for the Paul Mellon Centre for Studies in British Art
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This innovative history of British art museums begins in the early 19th century. The National Gallery and the South Kensington Museum (now the Victoria and Albert Museum) in London may have been at the center of activity, but museums in cities such as Glasgow, Leeds, Liverpool, Manchester, and Nottingham were immensely popular and attracted enthusiastic audiences. The People’s Galleries traces the rise of art museums in Britain through World War I, focusing on the phenomenon of municipal galleries. This richly illustrated book argues that these regional museums represented a new type of institution: an art gallery for a working-class audience, appropriate for the rapidly expanding cities and shaped by liberal ideals. As their broad appeal weakened with the new century, they adapted and became more conventional. Using a wide range of sources, the book studies the patrons and the publics, the collecting policies, the temporary exhibitions, and the architecture of these institutions, as well as the complex range of reasons for their foundation. Published for the Paul Mellon Centre for Studies in British Art
Produktdetaljer
Sprog: Engelsk
Sider: 372
ISBN-13: 9780300209846
Indbinding: Hardback
Udgave:
ISBN-10: 0300209843
Udg. Dato: 25 aug 2015
Længde: 31mm
Bredde: 290mm
Højde: 237mm
Forlag: Yale University Press
Oplagsdato: 25 aug 2015
Forfatter(e): Giles Waterfield
Forfatter(e) Giles Waterfield


Kategori Social- & Kulturhistorie


ISBN-13 9780300209846


Sprog Engelsk


Indbinding Hardback


Sider 372


Udgave


Længde 31mm


Bredde 290mm


Højde 237mm


Udg. Dato 25 aug 2015


Oplagsdato 25 aug 2015


Forlag Yale University Press

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