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The Celluloid Atlantic

- Hollywood, Cinecitta, and the Making of the Cinema of the West, 1943–1973
Af: Saverio Giovacchini Engelsk Hardback

The Celluloid Atlantic

- Hollywood, Cinecitta, and the Making of the Cinema of the West, 1943–1973
Af: Saverio Giovacchini Engelsk Hardback
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Offers a fresh look at American and Italian cinema in the postwar period. The Celluloid Atlantic changes the way we look at American and Italian cinema in the postwar period. In the thirty years following World War II, American and Italian film industries came to be an integrated, transnational unit rather than two separate, nation-based entities. Written in jargon-free prose and based on previously unexplored archival sources, this book revisits the history of Neorealism, World War II combat cinema, the "Western all'Italiana," and the career of John Kitzmiller, the African American star who made Italy his home and was the first person of color to win the Best Actor Award at the Cannes Film Festival. The Celluloid Atlantic makes the trailblazing argument that culturally hybrid genres like the so-called spaghetti Western were less the exceptions than the norm. Giovacchini argues that the waning of the Celluloid Atlantic in the early 1970s was due to the economic policies of the first Nixon administration, specifically its important, but largely neglected, Revenue Act of 1971, as well as to the ideological debates between Europeans and Americans that intensified during the American intervention in Vietnam.
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Offers a fresh look at American and Italian cinema in the postwar period. The Celluloid Atlantic changes the way we look at American and Italian cinema in the postwar period. In the thirty years following World War II, American and Italian film industries came to be an integrated, transnational unit rather than two separate, nation-based entities. Written in jargon-free prose and based on previously unexplored archival sources, this book revisits the history of Neorealism, World War II combat cinema, the "Western all'Italiana," and the career of John Kitzmiller, the African American star who made Italy his home and was the first person of color to win the Best Actor Award at the Cannes Film Festival. The Celluloid Atlantic makes the trailblazing argument that culturally hybrid genres like the so-called spaghetti Western were less the exceptions than the norm. Giovacchini argues that the waning of the Celluloid Atlantic in the early 1970s was due to the economic policies of the first Nixon administration, specifically its important, but largely neglected, Revenue Act of 1971, as well as to the ideological debates between Europeans and Americans that intensified during the American intervention in Vietnam.
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Produktdetaljer
Sprog: Engelsk
Sider: 392
ISBN-13: 9798855800562
Indbinding: Hardback
Udgave:
ISBN-10: 8855800566
Kategori: Filmhistorie, teori & kritik
Udg. Dato: 1 feb 2025
Længde: 29mm
Bredde: 236mm
Højde: 159mm
Forlag: State University of New York Press
Oplagsdato: 1 feb 2025
Forfatter(e): Saverio Giovacchini
Forfatter(e) Saverio Giovacchini

Kategori Filmhistorie, teori & kritik

ISBN-13 9798855800562

Sprog Engelsk

Indbinding Hardback

Sider 392

Udgave

Længde 29mm

Bredde 236mm

Højde 159mm

Udg. Dato 1 feb 2025

Oplagsdato 1 feb 2025

Forlag State University of New York Press