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The Business of Satirical Prints in Late-Georgian England

Af: James Baker Engelsk Paperback

The Business of Satirical Prints in Late-Georgian England

Af: James Baker Engelsk Paperback
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This book explores English single sheet satirical prints published from 1780-1820, the people who made those prints, and the businesses that sold them. It examines how these objects were made, how they were sold, and how both the complexity of the production process and the necessity to sell shaped and constrained the satiric content these objects contained. It argues that production, sale, and environment are crucial to understanding late-Georgian satirical prints. A majority of these prints were, after all, published in London and were therefore woven into the commercial culture of the Great Wen. Because of this city and its culture, the activities of the many individuals involved in transforming a single satirical design into a saleable and commercially viable object were underpinned by a nexus of making, selling, and consumption. Neglecting any one part of this nexus does a disservice both to the late-Georgian satirical print, these most beloved objects of British art, and to the story of their late-Georgian apotheosis – a story that James Baker develops not through the designs these objects contained, but rather through those objects and the designs they contained in the making.
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This book explores English single sheet satirical prints published from 1780-1820, the people who made those prints, and the businesses that sold them. It examines how these objects were made, how they were sold, and how both the complexity of the production process and the necessity to sell shaped and constrained the satiric content these objects contained. It argues that production, sale, and environment are crucial to understanding late-Georgian satirical prints. A majority of these prints were, after all, published in London and were therefore woven into the commercial culture of the Great Wen. Because of this city and its culture, the activities of the many individuals involved in transforming a single satirical design into a saleable and commercially viable object were underpinned by a nexus of making, selling, and consumption. Neglecting any one part of this nexus does a disservice both to the late-Georgian satirical print, these most beloved objects of British art, and to the story of their late-Georgian apotheosis – a story that James Baker develops not through the designs these objects contained, but rather through those objects and the designs they contained in the making.
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Produktdetaljer
Sprog: Engelsk
Sider: 232
ISBN-13: 9783319842936
Indbinding: Paperback
Udgave:
ISBN-10: 3319842935
Kategori: Forlag og boghandel
Udg. Dato: 7 aug 2018
Længde: 18mm
Bredde: 208mm
Højde: 147mm
Forlag: Springer International Publishing AG
Oplagsdato: 7 aug 2018
Forfatter(e): James Baker
Forfatter(e) James Baker

Kategori Forlag og boghandel

ISBN-13 9783319842936

Sprog Engelsk

Indbinding Paperback

Sider 232

Udgave

Længde 18mm

Bredde 208mm

Højde 147mm

Udg. Dato 7 aug 2018

Oplagsdato 7 aug 2018

Forlag Springer International Publishing AG