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The Birth of Rock and Roll

Engelsk Hardback

The Birth of Rock and Roll

Engelsk Hardback
Tjek vores konkurrenters priser
In The Birth of Rock and Roll, Americana collector Jim Linderman has arranged a storyboard of sorts that dramatizes the spirit of rock and roll in its early days—when "a juke-joint with fifty patrons was a big show," as Linderman writes in his introduction. "A church with fifty congregants was a full house. The annual square dance at the town hall, a rent party, a fish-fry, the honky-tonk piano in the whore house, the union meeting … There was no real money in it. A performer was lucky to be fed, get drunk and get laid." The photographs have little to do with the conventional iconography of the birth of rock and roll: conspicuously absent are pictures of young white men in Memphis, poodle skirts, Alan Freed and Bill Haley''s Brylcream. These photographs instead document and celebrate the pure but indefinable essence of rocking. Ordinary, anonymous men, women and children—some white, some black—are holding guitars and strumming while looking relaxed or frantic, but nearly always blissful. Some of the action takes place in rural fields, some in dance halls, some at civic events, some in living rooms and basements. Wherever there was an urge to make acoustic or electric music—whether to help at a rent party, busk in front of a crowd or testify in the name of Jesus—there was an uncredited photographer there to snap an image, and these are the photographs that comprise Linderman''s fascinating narrative.
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In The Birth of Rock and Roll, Americana collector Jim Linderman has arranged a storyboard of sorts that dramatizes the spirit of rock and roll in its early days—when "a juke-joint with fifty patrons was a big show," as Linderman writes in his introduction. "A church with fifty congregants was a full house. The annual square dance at the town hall, a rent party, a fish-fry, the honky-tonk piano in the whore house, the union meeting … There was no real money in it. A performer was lucky to be fed, get drunk and get laid." The photographs have little to do with the conventional iconography of the birth of rock and roll: conspicuously absent are pictures of young white men in Memphis, poodle skirts, Alan Freed and Bill Haley''s Brylcream. These photographs instead document and celebrate the pure but indefinable essence of rocking. Ordinary, anonymous men, women and children—some white, some black—are holding guitars and strumming while looking relaxed or frantic, but nearly always blissful. Some of the action takes place in rural fields, some in dance halls, some at civic events, some in living rooms and basements. Wherever there was an urge to make acoustic or electric music—whether to help at a rent party, busk in front of a crowd or testify in the name of Jesus—there was an uncredited photographer there to snap an image, and these are the photographs that comprise Linderman''s fascinating narrative.
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Produktdetaljer
Sprog: Engelsk
Sider: 160
ISBN-13: 9780981734286
Indbinding: Hardback
Udgave:
ISBN-10: 0981734286
Kategori: Populærmusik
Udg. Dato: 11 jun 2015
Længde: 21mm
Bredde: 315mm
Højde: 257mm
Forlag: Dust-to-Digital
Oplagsdato: 11 jun 2015
Forfatter(e):
Forfatter(e)

Kategori Populærmusik

ISBN-13 9780981734286

Sprog Engelsk

Indbinding Hardback

Sider 160

Udgave

Længde 21mm

Bredde 315mm

Højde 257mm

Udg. Dato 11 jun 2015

Oplagsdato 11 jun 2015

Forlag Dust-to-Digital