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Sienese Painting after the Black Death

- Artistic Pluralism, Politics, and the New Art Market
Af: Judith Steinhoff Engelsk Paperback

Sienese Painting after the Black Death

- Artistic Pluralism, Politics, and the New Art Market
Af: Judith Steinhoff Engelsk Paperback
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This book provides a new perspective on Sienese painting after the Black Death, asking how social, religious, and cultural change affect visual imagery and style. Judith Steinhoff demonstrates that Siena''s artistic culture of the mid and late fourteenth century was intentionally pluralistic, and not conservative as is often claimed. She shows that Sienese art both before and after the Black Death was the material expression of an artistically sophisticated population that consciously and carefully integrated tradition and change. Promoting both iconographic and stylistic pluralism, Sienese patrons furthered their own goals as well as addressed the culture''s changing needs. Steinhoff presents both detailed case studies as well as a broader view of trends in artistic practice and patronage. She offers a new approach to interpreting artistic style in the Trecento, arguing that artists and patrons alike understood the potential of style as a vehicle that conveys specific meanings.
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This book provides a new perspective on Sienese painting after the Black Death, asking how social, religious, and cultural change affect visual imagery and style. Judith Steinhoff demonstrates that Siena''s artistic culture of the mid and late fourteenth century was intentionally pluralistic, and not conservative as is often claimed. She shows that Sienese art both before and after the Black Death was the material expression of an artistically sophisticated population that consciously and carefully integrated tradition and change. Promoting both iconographic and stylistic pluralism, Sienese patrons furthered their own goals as well as addressed the culture''s changing needs. Steinhoff presents both detailed case studies as well as a broader view of trends in artistic practice and patronage. She offers a new approach to interpreting artistic style in the Trecento, arguing that artists and patrons alike understood the potential of style as a vehicle that conveys specific meanings.
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Produktdetaljer
Sprog: Engelsk
Sider: 278
ISBN-13: 9781107686694
Indbinding: Paperback
Udgave:
ISBN-10: 1107686695
Kategori: Kunsthistorie
Udg. Dato: 2 jun 2014
Længde: 15mm
Bredde: 179mm
Højde: 254mm
Forlag: Cambridge University Press
Oplagsdato: 2 jun 2014
Forfatter(e): Judith Steinhoff
Forfatter(e) Judith Steinhoff

Kategori Kunsthistorie

ISBN-13 9781107686694

Sprog Engelsk

Indbinding Paperback

Sider 278

Udgave

Længde 15mm

Bredde 179mm

Højde 254mm

Udg. Dato 2 jun 2014

Oplagsdato 2 jun 2014

Forlag Cambridge University Press