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Seventeenth-Century Opera and the Sound of the Commedia dell'Arte
Engelsk Hardback
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Seventeenth-Century Opera and the Sound of the Commedia dell'Arte
Engelsk Hardback

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In this book, Emily Wilbourne boldly traces the roots of early opera back to the sounds of the commedia dell'arte. Along the way, she forges a new history of Italian opera, from the court pieces of the early seventeenth century to the public stages of Venice more than fifty years later. Wilbourne considers a series of case studies structured around the most important and widely explored operas of the period: Monteverdi's lost L'Arianna, as well as his Il Ritorno d'Ulisse and L'incoronazione di Poppea; Mazzochi and Marazzoli's L'Egisto, ovvero Chi soffre speri; and Cavalli's L'Ormindo and L'Artemisia. As she demonstrates, the sound-in-performance aspect of commedia dell'arte theater specifically, the use of dialect and verbal play produced an audience that was accustomed to listening to sonic content rather than simply the literal meaning of spoken words. This, Wilbourne suggests, shaped the musical vocabularies of early opera and facilitated a musicalization of Italian theater. Highlighting productive ties between the two worlds, from the audiences and venues to the actors and singers, this work brilliantly shows how the sound of commedia performance ultimately underwrote the success of opera as a genre.
Product detaljer
Sprog:
Engelsk
Sider:
256
ISBN-13:
9780226401577
Indbinding:
Hardback
Udgave:
ISBN-10:
022640157X
Kategori:
Udg. Dato:
21 nov 2016
Længde:
26mm
Bredde:
163mm
Højde:
239mm
Forlag:
The University of Chicago Press
Oplagsdato:
21 nov 2016
Forfatter(e):
Kategori sammenhænge