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  3. Samfunds- & politisk filosofi

Roger Waters and Pink Floyd

- The Concept Albums
Af: Phil Rose Engelsk Paperback

Roger Waters and Pink Floyd

- The Concept Albums
Af: Phil Rose Engelsk Paperback
Tjek vores konkurrenters priser
Beyond its elucidation and critique of traditional ‘notation-centric’ musicology, this book''s primary emphasis is on the negotiation and construction of meaning within the extended musical multimedia works of the classic British group Pink Floyd. Encompassing the concept albums that the group released from 1973 to 1983, during Roger Waters’ final period with the band, chapters are devoted to Dark Side of the Moon (1973), Wish You Were Here (1975), Animals (1977), The Wall (1979) and The Final Cut (1983), along with Waters’ third solo album Amused to Death (1993). This book''s analysis of album covers, lyrics, music and film makes use of techniques of literary and film criticism, while employing the combined lenses of musical hermeneutics and discourse analysis, so as to illustrate how sonic and musical information contribute to listeners’ interpretations of the discerning messages of these monumental musical artifacts. Ultimately, it demonstrates how their words, sounds, and images work together in order to communicate one fundamental concern, which—to paraphrase the music journalist Karl Dallas—is to affirm human values against everything in life that should conspire against them.
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Beyond its elucidation and critique of traditional ‘notation-centric’ musicology, this book''s primary emphasis is on the negotiation and construction of meaning within the extended musical multimedia works of the classic British group Pink Floyd. Encompassing the concept albums that the group released from 1973 to 1983, during Roger Waters’ final period with the band, chapters are devoted to Dark Side of the Moon (1973), Wish You Were Here (1975), Animals (1977), The Wall (1979) and The Final Cut (1983), along with Waters’ third solo album Amused to Death (1993). This book''s analysis of album covers, lyrics, music and film makes use of techniques of literary and film criticism, while employing the combined lenses of musical hermeneutics and discourse analysis, so as to illustrate how sonic and musical information contribute to listeners’ interpretations of the discerning messages of these monumental musical artifacts. Ultimately, it demonstrates how their words, sounds, and images work together in order to communicate one fundamental concern, which—to paraphrase the music journalist Karl Dallas—is to affirm human values against everything in life that should conspire against them.
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Se mere i:
Produktdetaljer
Sprog: Engelsk
Sider: 242
ISBN-13: 9781611477627
Indbinding: Paperback
Udgave:
ISBN-10: 161147762X
Kategori: Samfunds- & politisk filosofi
Udg. Dato: 24 aug 2016
Længde: 23mm
Bredde: 263mm
Højde: 154mm
Forlag: Fairleigh Dickinson University Press
Oplagsdato: 24 aug 2016
Forfatter(e): Phil Rose
Forfatter(e) Phil Rose

Kategori Samfunds- & politisk filosofi

ISBN-13 9781611477627

Sprog Engelsk

Indbinding Paperback

Sider 242

Udgave

Længde 23mm

Bredde 263mm

Højde 154mm

Udg. Dato 24 aug 2016

Oplagsdato 24 aug 2016

Forlag Fairleigh Dickinson University Press

Kategori sammenhænge