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Ripping Open the Set

- French Film Design, 1930–1939
Af: Ben McCann Engelsk Paperback

Ripping Open the Set

- French Film Design, 1930–1939
Af: Ben McCann Engelsk Paperback
Tjek vores konkurrenters priser
French film design throughout the 1930s was not just descriptive, but also expressive: sets were not merely part of the background, but were vital components of a film’s overall atmosphere, impact and critical afterlife. This was a period when sets were ‘ripped open’, as painted backdrops were replaced by three-dimensional constructions to ensure greater proximity to reality. Accomplished set designers such as Alexandre Trauner, Jacques Krauss and Eugène Lourié crafted a series of designs both realist and expressionistic that brought out the underlying themes of a film’s narrative and helped create an exportable vision of ‘Frenchness’ that influenced other European and American film design practices.
This book details the elaborate paraphrasing tendencies of French film design in the 1930s. The author explores the crucial role of the set designer in the film’s evolutionary process and charts how the rapid development of studio practices enabled designers to become progressively more ambitious. The book examines key films such as Quatorze juillet (1932), Un Carnet de bal (1937), La Grande illusion (1937) and Le Jour se lève (1939) to demonstrate how set design works at establishing time and place, generating audience familiarity and recognition and underpinning each film’s visual style.
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French film design throughout the 1930s was not just descriptive, but also expressive: sets were not merely part of the background, but were vital components of a film’s overall atmosphere, impact and critical afterlife. This was a period when sets were ‘ripped open’, as painted backdrops were replaced by three-dimensional constructions to ensure greater proximity to reality. Accomplished set designers such as Alexandre Trauner, Jacques Krauss and Eugène Lourié crafted a series of designs both realist and expressionistic that brought out the underlying themes of a film’s narrative and helped create an exportable vision of ‘Frenchness’ that influenced other European and American film design practices.
This book details the elaborate paraphrasing tendencies of French film design in the 1930s. The author explores the crucial role of the set designer in the film’s evolutionary process and charts how the rapid development of studio practices enabled designers to become progressively more ambitious. The book examines key films such as Quatorze juillet (1932), Un Carnet de bal (1937), La Grande illusion (1937) and Le Jour se lève (1939) to demonstrate how set design works at establishing time and place, generating audience familiarity and recognition and underpinning each film’s visual style.
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Produktdetaljer
Sprog: Engelsk
Sider: 254
ISBN-13: 9783039103119
Indbinding: Paperback
Udgave:
ISBN-10: 3039103113
Kategori: Filmproduktion: teknik og tekniske discipliner
Udg. Dato: 7 maj 2013
Længde: 15mm
Bredde: 150mm
Højde: 227mm
Forlag: Verlag Peter Lang
Oplagsdato: 7 maj 2013
Forfatter(e): Ben McCann
Forfatter(e) Ben McCann

Kategori Filmproduktion: teknik og tekniske discipliner

ISBN-13 9783039103119

Sprog Engelsk

Indbinding Paperback

Sider 254

Udgave

Længde 15mm

Bredde 150mm

Højde 227mm

Udg. Dato 7 maj 2013

Oplagsdato 7 maj 2013

Forlag Verlag Peter Lang