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Pop Music - Technology and Creativity

- Trevor Horn and the Digital Revolution
Af: Timothy Warner Engelsk Paperback

Pop Music - Technology and Creativity

- Trevor Horn and the Digital Revolution
Af: Timothy Warner Engelsk Paperback
Tjek vores konkurrenters priser
This highly original and accessible book draws on the author‘s personal experience as a musician, producer and teacher of popular music to discuss the ways in which audio technology and musical creativity in pop music are inextricably bound together. This relationship, the book argues, is exemplified by the work of Trevor Horn, who is widely acknowledged as the most important, innovative and successful British pop record producer of the early 1980s. In the first part of the book, Timothy Warner presents a definition of pop as distinct from rock music, and goes on to consider the ways technological developments, such as the transition from analogue to digital, transform working practices and, as a result, impact on the creative process of producing pop. Part two analyses seven influential recordings produced by Trevor Horn between 1979 and 1985: ''Video Killed the Radio Star'' (The Buggles), ''Buffalo Gals'' (Malcolm McClaren),''Owner of a Lonely Heart'' (Yes), ''Relax'' (Frankie Goes to Hollywood), ''Slave to the Rhythm'' (Grace Jones), and albums by The Art of Noise and Propaganda. These records reveal how the creative use of technology in the modern pop recording studio has informed Horn‘s work, a theme that is then explored in an extensive interview with Horn himself.
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This highly original and accessible book draws on the author‘s personal experience as a musician, producer and teacher of popular music to discuss the ways in which audio technology and musical creativity in pop music are inextricably bound together. This relationship, the book argues, is exemplified by the work of Trevor Horn, who is widely acknowledged as the most important, innovative and successful British pop record producer of the early 1980s. In the first part of the book, Timothy Warner presents a definition of pop as distinct from rock music, and goes on to consider the ways technological developments, such as the transition from analogue to digital, transform working practices and, as a result, impact on the creative process of producing pop. Part two analyses seven influential recordings produced by Trevor Horn between 1979 and 1985: ''Video Killed the Radio Star'' (The Buggles), ''Buffalo Gals'' (Malcolm McClaren),''Owner of a Lonely Heart'' (Yes), ''Relax'' (Frankie Goes to Hollywood), ''Slave to the Rhythm'' (Grace Jones), and albums by The Art of Noise and Propaganda. These records reveal how the creative use of technology in the modern pop recording studio has informed Horn‘s work, a theme that is then explored in an extensive interview with Horn himself.
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Produktdetaljer
Sprog: Engelsk
Sider: 188
ISBN-13: 9780754631323
Indbinding: Paperback
Udgave:
ISBN-10: 075463132X
Kategori: Populærmusik
Udg. Dato: 11 jun 2003
Længde: 15mm
Bredde: 157mm
Højde: 233mm
Forlag: Taylor & Francis Ltd
Oplagsdato: 11 jun 2003
Forfatter(e): Timothy Warner
Forfatter(e) Timothy Warner

Kategori Populærmusik

ISBN-13 9780754631323

Sprog Engelsk

Indbinding Paperback

Sider 188

Udgave

Længde 15mm

Bredde 157mm

Højde 233mm

Udg. Dato 11 jun 2003

Oplagsdato 11 jun 2003

Forlag Taylor & Francis Ltd

Kategori sammenhænge