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Pictures of Romance

- Form against Context in Painting and Literature
Af: Wendy Steiner Engelsk Paperback

Pictures of Romance

- Form against Context in Painting and Literature
Af: Wendy Steiner Engelsk Paperback
Tjek vores konkurrenters priser
How do pictures tell stories? Why does the literary romance so often refer to paintings and other visual art objects? Beginning with these two seemingly unrelated questions, Wendy Steiner reveals an intricate exchange between the visual arts and the literary romance. Romances violate the casual, temporal, and logical cohesiveness of realist novels, and they do so in part by depicting love as a state of suspension, a condition outside of time. Steiner argues that because Renaissance and post-Renaissance painting also represents a suspended moment of perception with "unnatural" clarity and compression of meaning, it readily serves the romance as a symbol of antirealism. Yet the atemporality of stopped-action painting was actually an attempt to achieve pictorial realism—the way things "really" look. It is this paradox that interests Steiner: to signal their departure from realism, romances evoke the symbol of "realistic" visual artwork. Steiner explores this problem through analyses of Keats, Hawthorne, Joyce, and Picasso. She then examines a return to narrative conventions in visual art in the twentieth century, in the work of Lichtenstein and Warhol, and speculates on the fate of pictorial storytelling and the romance in postmodern art. An aesthetic fantasia of sorts, this study combines theory and analysis to illuminate an unexpected interconnection between literature and the visual arts.
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How do pictures tell stories? Why does the literary romance so often refer to paintings and other visual art objects? Beginning with these two seemingly unrelated questions, Wendy Steiner reveals an intricate exchange between the visual arts and the literary romance. Romances violate the casual, temporal, and logical cohesiveness of realist novels, and they do so in part by depicting love as a state of suspension, a condition outside of time. Steiner argues that because Renaissance and post-Renaissance painting also represents a suspended moment of perception with "unnatural" clarity and compression of meaning, it readily serves the romance as a symbol of antirealism. Yet the atemporality of stopped-action painting was actually an attempt to achieve pictorial realism—the way things "really" look. It is this paradox that interests Steiner: to signal their departure from realism, romances evoke the symbol of "realistic" visual artwork. Steiner explores this problem through analyses of Keats, Hawthorne, Joyce, and Picasso. She then examines a return to narrative conventions in visual art in the twentieth century, in the work of Lichtenstein and Warhol, and speculates on the fate of pictorial storytelling and the romance in postmodern art. An aesthetic fantasia of sorts, this study combines theory and analysis to illuminate an unexpected interconnection between literature and the visual arts.
Produktdetaljer
Sprog: Engelsk
Sider: 225
ISBN-13: 9780226772301
Indbinding: Paperback
Udgave:
ISBN-10: 0226772306
Kategori: Engelsk
Udg. Dato: 15 dec 1991
Længde: 14mm
Bredde: 228mm
Højde: 155mm
Forlag: The University of Chicago Press
Oplagsdato: 15 dec 1991
Forfatter(e): Wendy Steiner
Forfatter(e) Wendy Steiner


Kategori Engelsk


ISBN-13 9780226772301


Sprog Engelsk


Indbinding Paperback


Sider 225


Udgave


Længde 14mm


Bredde 228mm


Højde 155mm


Udg. Dato 15 dec 1991


Oplagsdato 15 dec 1991


Forlag The University of Chicago Press

Kategori sammenhænge