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Object Performance in the Black Atlantic

- The United States
Af: Paulette Richards Engelsk Paperback

Object Performance in the Black Atlantic

- The United States
Af: Paulette Richards Engelsk Paperback
Tjek vores konkurrenters priser

Given that slaveholders prohibited the creation of African-style performing objects, is there a traceable connection between traditional African puppets, masks, and performing objects and contemporary African American puppetry? This study approaches the question by looking at the whole performance complex surrounding African performing objects and examines the material culture of object performance.

Object Performance in the Black Atlantic argues that since human beings can attribute private, personal meanings to objects obtained for personal use such as dolls, vessels, and quilts, the lines of material culture continuity between African and African American object performance run through objects that performed in ritual rather than theatrical capacity. Split into three parts, this book starts by outlining the spaces where the African American object performance complex persisted through the period of slavery. Part Two traces how African Americans began to reclaim object performance in the era of Jim Crow segregation and Part Three details how increased educational and economic opportunities along with new media technologies enabled African Americans to use performing objects as a powerful mode of resistance to the objectification of Black bodies.

This is an essential study for any students of puppetry and material performance, and particularly those concerned with African American performance and performance in North America more broadly.

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Given that slaveholders prohibited the creation of African-style performing objects, is there a traceable connection between traditional African puppets, masks, and performing objects and contemporary African American puppetry? This study approaches the question by looking at the whole performance complex surrounding African performing objects and examines the material culture of object performance.

Object Performance in the Black Atlantic argues that since human beings can attribute private, personal meanings to objects obtained for personal use such as dolls, vessels, and quilts, the lines of material culture continuity between African and African American object performance run through objects that performed in ritual rather than theatrical capacity. Split into three parts, this book starts by outlining the spaces where the African American object performance complex persisted through the period of slavery. Part Two traces how African Americans began to reclaim object performance in the era of Jim Crow segregation and Part Three details how increased educational and economic opportunities along with new media technologies enabled African Americans to use performing objects as a powerful mode of resistance to the objectification of Black bodies.

This is an essential study for any students of puppetry and material performance, and particularly those concerned with African American performance and performance in North America more broadly.

Produktdetaljer
Sprog: Engelsk
Sider: 300
ISBN-13: 9781032054865
Indbinding: Paperback
Udgave:
ISBN-10: 1032054867
Kategori: Performancekunst
Udg. Dato: 28 jul 2023
Længde: 23mm
Bredde: 155mm
Højde: 234mm
Forlag: Taylor & Francis Ltd
Oplagsdato: 28 jul 2023
Forfatter(e): Paulette Richards
Forfatter(e) Paulette Richards


Kategori Performancekunst


ISBN-13 9781032054865


Sprog Engelsk


Indbinding Paperback


Sider 300


Udgave


Længde 23mm


Bredde 155mm


Højde 234mm


Udg. Dato 28 jul 2023


Oplagsdato 28 jul 2023


Forlag Taylor & Francis Ltd