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  2. Litteraturstudier: generelt
  3. Litteraturstudier: fra 1900 til 2000

Metatheater and Modernity

- Baroque and Neobaroque
Af: Mary Ann Frese Witt Engelsk Paperback

Metatheater and Modernity

- Baroque and Neobaroque
Af: Mary Ann Frese Witt Engelsk Paperback
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Metatheater and Modernity: Baroque and Neobaroque is the first work to link the study of metatheater with the concepts of baroque and neobaroque. Arguing that the onset of European modernity in the early seventeenth century and both the modernist and the postmodernist periods of the twentieth century witnessed a flourishing of the phenomenon of theater that reflects on itself as theater, the author reexamines the concepts of metatheater, baroque, and neobaroque through a pairing and close analysis of seventeenth and twentieth century plays. The comparisons include Jean Rotrou’s The True Saint Genesius with Jean-Paul Sartre’s Kean and Jean Genet’s The Blacks; Pierre Corneille’s L’Illusion comique with Tony Kushner’s The Illusion; Gian Lorenzo Bernini’s The Impresario with Luigi Pirandello’s theater-in-theater trilogy; Shakespeare’s Hamlet with Pirandello’s Henry IV and Tom Stoppard’s Rosencrantz and Guildenstern are Dead; Molière’s Impromptu de Versailles with “impromptus” by Jean Cocteau, Jean Giraudoux, and Eugène Ionesco. Metatheater and Modernity also examines the role of technology in the creating and breaking of illusions in both centuries. In contrast to previous work on metatheater, it emphasizes the metatheatrical role of comedy. Metatheater, the author concludes, is both performance and performative: it accomplishes a perceptual transformation in its audience both by defending theater and exposing the illusory quality of the world outside.
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Metatheater and Modernity: Baroque and Neobaroque is the first work to link the study of metatheater with the concepts of baroque and neobaroque. Arguing that the onset of European modernity in the early seventeenth century and both the modernist and the postmodernist periods of the twentieth century witnessed a flourishing of the phenomenon of theater that reflects on itself as theater, the author reexamines the concepts of metatheater, baroque, and neobaroque through a pairing and close analysis of seventeenth and twentieth century plays. The comparisons include Jean Rotrou’s The True Saint Genesius with Jean-Paul Sartre’s Kean and Jean Genet’s The Blacks; Pierre Corneille’s L’Illusion comique with Tony Kushner’s The Illusion; Gian Lorenzo Bernini’s The Impresario with Luigi Pirandello’s theater-in-theater trilogy; Shakespeare’s Hamlet with Pirandello’s Henry IV and Tom Stoppard’s Rosencrantz and Guildenstern are Dead; Molière’s Impromptu de Versailles with “impromptus” by Jean Cocteau, Jean Giraudoux, and Eugène Ionesco. Metatheater and Modernity also examines the role of technology in the creating and breaking of illusions in both centuries. In contrast to previous work on metatheater, it emphasizes the metatheatrical role of comedy. Metatheater, the author concludes, is both performance and performative: it accomplishes a perceptual transformation in its audience both by defending theater and exposing the illusory quality of the world outside.
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Produktdetaljer
Sprog: Engelsk
Sider: 202
ISBN-13: 9781611477306
Indbinding: Paperback
Udgave:
ISBN-10: 1611477301
Kategori: Litteraturstudier: fra 1900 til 2000
Udg. Dato: 9 jul 2014
Længde: 15mm
Bredde: 156mm
Højde: 230mm
Forlag: Fairleigh Dickinson University Press
Oplagsdato: 9 jul 2014
Forfatter(e): Mary Ann Frese Witt
Forfatter(e) Mary Ann Frese Witt

Kategori Litteraturstudier: fra 1900 til 2000

ISBN-13 9781611477306

Sprog Engelsk

Indbinding Paperback

Sider 202

Udgave

Længde 15mm

Bredde 156mm

Højde 230mm

Udg. Dato 9 jul 2014

Oplagsdato 9 jul 2014

Forlag Fairleigh Dickinson University Press