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  3. Performancekunst

Joseph Beuys–Manresa – A Spiritual Geography

Af: Bjorn Norgaard, Pilar Parcerisas, Klaus–d. Pohl, Friedhelm Mennekes, Henning Christiansen Engelsk Paperback

Joseph Beuys–Manresa – A Spiritual Geography

Af: Bjorn Norgaard, Pilar Parcerisas, Klaus–d. Pohl, Friedhelm Mennekes, Henning Christiansen Engelsk Paperback
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The first performances by Joseph Beuys were a radical turning point for twentieth-century art. Beuys saw art as a transformative action that is both personal and communal, and his expanded artistic practice engaged spirituality, personal mythology, political structures, and symbolic materials. For Manresa, one of his legendary performance actions, which took place on December 15, 1966 in Düsseldorf, he collaborated with the Danish artists Henning Christiansen and Bjørn Nørgaard. This book presents never-before-seen materials from the performance, including texts, images, scripts, and preparatory drawings, alongside contributions from scholars and critics that offer further insight. Friedhelm Mennekes, an art critic and Jesuit priest, analyses Saint Ignatius of Loyola’s imprint on Beuys’s work while elucidating its spiritual complexity, looking beyond the popular vision of the artist as shaman. Pilar Parcerisas examines Beuys’s spiritual geography, explaining the importance the town of Manresa within it and also laying out the physical and mystical coordinates of Eurasia, a site that was always present in Beuys’s work. Klaus-D. Pohl addresses the paradoxical union between Beuys’s mysticism and the neo-Dadaists of Fluxus. Beuys’s collaborator Bjørn Nørgaard recalls his time working with the German artist and reflects on the paths he opened up. Finally, art historian Harald Szeemann considers the possibility of liberating politics through spirituality.
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The first performances by Joseph Beuys were a radical turning point for twentieth-century art. Beuys saw art as a transformative action that is both personal and communal, and his expanded artistic practice engaged spirituality, personal mythology, political structures, and symbolic materials. For Manresa, one of his legendary performance actions, which took place on December 15, 1966 in Düsseldorf, he collaborated with the Danish artists Henning Christiansen and Bjørn Nørgaard. This book presents never-before-seen materials from the performance, including texts, images, scripts, and preparatory drawings, alongside contributions from scholars and critics that offer further insight. Friedhelm Mennekes, an art critic and Jesuit priest, analyses Saint Ignatius of Loyola’s imprint on Beuys’s work while elucidating its spiritual complexity, looking beyond the popular vision of the artist as shaman. Pilar Parcerisas examines Beuys’s spiritual geography, explaining the importance the town of Manresa within it and also laying out the physical and mystical coordinates of Eurasia, a site that was always present in Beuys’s work. Klaus-D. Pohl addresses the paradoxical union between Beuys’s mysticism and the neo-Dadaists of Fluxus. Beuys’s collaborator Bjørn Nørgaard recalls his time working with the German artist and reflects on the paths he opened up. Finally, art historian Harald Szeemann considers the possibility of liberating politics through spirituality.
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Produktdetaljer
Sprog: Engelsk
Sider: 224
ISBN-13: 9788494423468
Indbinding: Paperback
Udgave:
ISBN-10: 8494423460
Kategori: Performancekunst
Udg. Dato: 1 jan 1900
Længde: 16mm
Bredde: 247mm
Højde: 174mm
Forlag: Editorial Tenov S.L.
Oplagsdato: 1 jan 1900
Forfatter(e): Bjorn Norgaard, Pilar Parcerisas, Klaus–d. Pohl, Friedhelm Mennekes, Henning Christiansen
Forfatter(e) Bjorn Norgaard, Pilar Parcerisas, Klaus–d. Pohl, Friedhelm Mennekes, Henning Christiansen

Kategori Performancekunst

ISBN-13 9788494423468

Sprog Engelsk

Indbinding Paperback

Sider 224

Udgave

Længde 16mm

Bredde 247mm

Højde 174mm

Udg. Dato 1 jan 1900

Oplagsdato 1 jan 1900

Forlag Editorial Tenov S.L.

Kategori sammenhænge