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Intermedia

Engelsk Paperback

Intermedia

Engelsk Paperback
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The history of innovative intermedia art practices in America.   In 1965, American artist and Fluxus cofounder Dick Higgins stated that much of the best art being made at the time fell between media. He linked the dismantling of divisions among media to decompartmentalization in society and the impending dawn of a “classless” society. After high art, he wrote, came the deluge brought on by Marcel Duchamp’s ready-mades, Robert Rauschenberg’s combines, and Alan Kaprow’s happenings. Intermedia, the term Higgins selected to describe this trend, referred to works of art that fuse different, often nontraditional, media. In intermedia, boundaries between mediums dissolve and new mediums emerge. Never a prescriptive term, intermedia remains fluid, both as an artistic practice and an art historical category.   The essays in this volume consider a range of subjects from nineteenth- and twentieth-century American art and visual culture, exploring instances of intermedia within specific cultural, social, and historical contexts and in relation to theories of media, image-making, and materiality. They present a rich account of American artistic practice as an open system of medial interrelation and exchange, highlighting experimental cross-pollinations and mutations among artistic forms.  
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The history of innovative intermedia art practices in America.   In 1965, American artist and Fluxus cofounder Dick Higgins stated that much of the best art being made at the time fell between media. He linked the dismantling of divisions among media to decompartmentalization in society and the impending dawn of a “classless” society. After high art, he wrote, came the deluge brought on by Marcel Duchamp’s ready-mades, Robert Rauschenberg’s combines, and Alan Kaprow’s happenings. Intermedia, the term Higgins selected to describe this trend, referred to works of art that fuse different, often nontraditional, media. In intermedia, boundaries between mediums dissolve and new mediums emerge. Never a prescriptive term, intermedia remains fluid, both as an artistic practice and an art historical category.   The essays in this volume consider a range of subjects from nineteenth- and twentieth-century American art and visual culture, exploring instances of intermedia within specific cultural, social, and historical contexts and in relation to theories of media, image-making, and materiality. They present a rich account of American artistic practice as an open system of medial interrelation and exchange, highlighting experimental cross-pollinations and mutations among artistic forms.  
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Se mere i:
Produktdetaljer
Sprog: Engelsk
Sider: 176
ISBN-13: 9780932171702
Indbinding: Paperback
Udgave:
ISBN-10: 0932171702
Kategori: Kunst: teknikker og motiver
Udg. Dato: 14 feb 2023
Længde: 32mm
Bredde: 304mm
Højde: 198mm
Forlag: Terra Foundation for the Arts,U.S.
Oplagsdato: 14 feb 2023
Forfatter(e):
Forfatter(e)

Kategori Kunst: teknikker og motiver

ISBN-13 9780932171702

Sprog Engelsk

Indbinding Paperback

Sider 176

Udgave

Længde 32mm

Bredde 304mm

Højde 198mm

Udg. Dato 14 feb 2023

Oplagsdato 14 feb 2023

Forlag Terra Foundation for the Arts,U.S.