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Imagery and Ideology

- Fiction and Painting in Nineteenth-Century France
Af: William J. Berg Engelsk Hardback

Imagery and Ideology

- Fiction and Painting in Nineteenth-Century France
Af: William J. Berg Engelsk Hardback
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Literature is ostensibly a sequential and thus temporal medium, and painting a static and spatial one; yet writers like George Sand and Emile Zola have attempted repeatedly to represent visual and spatial phenomena in literary texts, just as painters like Eugene Delacroix and Claude Monet have sought consistently to capture effects of time and movement on canvas. The incorporation of elements from one artistic medium into another creates a dynamic interplay of image and ideology, both between art forms and within individual texts and paintings, which constitutes the crux of this book. Each chapter involves the detailed analysis of a text and a painting, related through topic, theme, and technique. By juxtaposing the works of ten major writers and ten painters of comparable stature, the book explores the various modalities and layers of meaning in nineteenth-century French art, both verbal and visual, and proposes ways of reading the ambivalent artifacts of 'modernity.'
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Literature is ostensibly a sequential and thus temporal medium, and painting a static and spatial one; yet writers like George Sand and Emile Zola have attempted repeatedly to represent visual and spatial phenomena in literary texts, just as painters like Eugene Delacroix and Claude Monet have sought consistently to capture effects of time and movement on canvas. The incorporation of elements from one artistic medium into another creates a dynamic interplay of image and ideology, both between art forms and within individual texts and paintings, which constitutes the crux of this book. Each chapter involves the detailed analysis of a text and a painting, related through topic, theme, and technique. By juxtaposing the works of ten major writers and ten painters of comparable stature, the book explores the various modalities and layers of meaning in nineteenth-century French art, both verbal and visual, and proposes ways of reading the ambivalent artifacts of 'modernity.'
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Produktdetaljer
Sprog: Engelsk
Sider: 269
ISBN-13: 9781611493313
Indbinding: Hardback
Udgave:
ISBN-10: 1611493315
Kategori: Litterære opslagsværker
Udg. Dato: 1 nov 2007
Længde: 20mm
Bredde: 167mm
Højde: 244mm
Forlag: Rowman & Littlefield
Oplagsdato: 1 nov 2007
Forfatter(e): William J. Berg
Forfatter(e) William J. Berg

Kategori Litterære opslagsværker

ISBN-13 9781611493313

Sprog Engelsk

Indbinding Hardback

Sider 269

Udgave

Længde 20mm

Bredde 167mm

Højde 244mm

Udg. Dato 1 nov 2007

Oplagsdato 1 nov 2007

Forlag Rowman & Littlefield