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Footlights

- Critical Notebook
Af: Nicholas Elliott, Serge Daney Engelsk Paperback

Footlights

- Critical Notebook
Af: Nicholas Elliott, Serge Daney Engelsk Paperback
Tjek vores konkurrenters priser
The early essays of the most influential French film critic of the post-68 period.

The Footlights (1983) was the first book by Serge Daney, a film critic admired in his lifetime by Gilles Deleuze and Jean-Luc Godard and recognized since his premature death in 1992 as the most important French writer on film after André Bazin. The Footlights stands apart in Daney’s body of work as the only collection of his essays he conceived of as a book, organizing his seminal pieces from Cahiers du Cinéma by theme and linking them with original texts that reflect in a personal voice on the doubts, battles, and illuminations of a generation of film lovers inspired by the explorations of Lacanian theory and roused by the collective aspirations of Maoist dogma. In pieces on fellow travelers Godard and Straub/Huillet, on films ranging from Pasolini’s Saló to Spielberg’s Jaws, and on the difference between film language and television discourse, Daney offers a definitive portrait of an era of radical hope and disappointment.
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The early essays of the most influential French film critic of the post-68 period.

The Footlights (1983) was the first book by Serge Daney, a film critic admired in his lifetime by Gilles Deleuze and Jean-Luc Godard and recognized since his premature death in 1992 as the most important French writer on film after André Bazin. The Footlights stands apart in Daney’s body of work as the only collection of his essays he conceived of as a book, organizing his seminal pieces from Cahiers du Cinéma by theme and linking them with original texts that reflect in a personal voice on the doubts, battles, and illuminations of a generation of film lovers inspired by the explorations of Lacanian theory and roused by the collective aspirations of Maoist dogma. In pieces on fellow travelers Godard and Straub/Huillet, on films ranging from Pasolini’s Saló to Spielberg’s Jaws, and on the difference between film language and television discourse, Daney offers a definitive portrait of an era of radical hope and disappointment.
Produktdetaljer
Sprog: Engelsk
Sider: 224
ISBN-13: 9781635901986
Indbinding: Paperback
Udgave:
ISBN-10: 1635901987
Kategori: Film og biografer
Udg. Dato: 19 dec 2023
Længde: 18mm
Bredde: 229mm
Højde: 152mm
Forlag: Semiotext (E)
Oplagsdato: 19 dec 2023
Forfatter(e): Nicholas Elliott, Serge Daney
Forfatter(e) Nicholas Elliott, Serge Daney


Kategori Film og biografer


ISBN-13 9781635901986


Sprog Engelsk


Indbinding Paperback


Sider 224


Udgave


Længde 18mm


Bredde 229mm


Højde 152mm


Udg. Dato 19 dec 2023


Oplagsdato 19 dec 2023


Forlag Semiotext (E)