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Competing Germanies

- Nazi, Antifascist, and Jewish Theater in German Argentina, 1933–1965
Af: Robert Kelz Engelsk Paperback

Competing Germanies

- Nazi, Antifascist, and Jewish Theater in German Argentina, 1933–1965
Af: Robert Kelz Engelsk Paperback
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Following World War II, German antifascists and nationalists in Buenos Aires believed theater was crucial to their highly politicized efforts at community-building, and each population devoted considerable resources to competing against its rival onstage. Competing Germanies tracks the paths of several stage actors from European theaters to Buenos Aires and explores how two of Argentina''s most influential immigrant groups, German nationalists and antifascists (Jewish and non-Jewish), clashed on the city''s stages. Covered widely in German- and Spanish-language media, theatrical performances articulated strident Nazi, antifascist, and Zionist platforms. Meanwhile, as their thespian representatives grappled onstage for political leverage among emigrants and Argentines, behind the curtain, conflicts simmered within partisan institutions and among theatergoers. Publicly they projected unity, but offstage nationalist, antifascist, and Zionist populations were rife with infighting on issues of political allegiance, cultural identity and, especially, integration with their Argentine hosts.

Competing Germanies reveals interchange and even mimicry between antifascist and nationalist German cultural institutions. Furthermore, performances at both theaters also fit into contemporary invocations of diasporas, including taboos and postponements of return to the native country, connections among multiple communities, and forms of longing, memory, and (dis)identification. Sharply divergent at first glance, their shared condition as cultural institutions of emigrant populations caused the antifascist Free German Stage and the nationalist German Theater to adopt parallel tactics in community-building, intercultural relationships, and dramatic performance.

Its cross-cultural, polyglot blend of German, Jewish, and Latin American studies gives Competing Germanies a wide, interdisciplinary academic appeal and offers a novel intervention in Exile studies through the lens of theater, in which both victims of Nazism and its adherents remain in focus.

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Following World War II, German antifascists and nationalists in Buenos Aires believed theater was crucial to their highly politicized efforts at community-building, and each population devoted considerable resources to competing against its rival onstage. Competing Germanies tracks the paths of several stage actors from European theaters to Buenos Aires and explores how two of Argentina''s most influential immigrant groups, German nationalists and antifascists (Jewish and non-Jewish), clashed on the city''s stages. Covered widely in German- and Spanish-language media, theatrical performances articulated strident Nazi, antifascist, and Zionist platforms. Meanwhile, as their thespian representatives grappled onstage for political leverage among emigrants and Argentines, behind the curtain, conflicts simmered within partisan institutions and among theatergoers. Publicly they projected unity, but offstage nationalist, antifascist, and Zionist populations were rife with infighting on issues of political allegiance, cultural identity and, especially, integration with their Argentine hosts.

Competing Germanies reveals interchange and even mimicry between antifascist and nationalist German cultural institutions. Furthermore, performances at both theaters also fit into contemporary invocations of diasporas, including taboos and postponements of return to the native country, connections among multiple communities, and forms of longing, memory, and (dis)identification. Sharply divergent at first glance, their shared condition as cultural institutions of emigrant populations caused the antifascist Free German Stage and the nationalist German Theater to adopt parallel tactics in community-building, intercultural relationships, and dramatic performance.

Its cross-cultural, polyglot blend of German, Jewish, and Latin American studies gives Competing Germanies a wide, interdisciplinary academic appeal and offers a novel intervention in Exile studies through the lens of theater, in which both victims of Nazism and its adherents remain in focus.

Produktdetaljer
Sprog: Engelsk
Sider: 372
ISBN-13: 9781501739866
Indbinding: Paperback
Udgave:
ISBN-10: 1501739867
Udg. Dato: 15 feb 2020
Længde: 24mm
Bredde: 152mm
Højde: 229mm
Forlag: Cornell University Press
Oplagsdato: 15 feb 2020
Forfatter(e): Robert Kelz
Forfatter(e) Robert Kelz


Kategori Litteraturstudier: fra 1900 til 2000


ISBN-13 9781501739866


Sprog Engelsk


Indbinding Paperback


Sider 372


Udgave


Længde 24mm


Bredde 152mm


Højde 229mm


Udg. Dato 15 feb 2020


Oplagsdato 15 feb 2020


Forlag Cornell University Press