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Colour Films in Britain

- The Eastmancolor Revolution

Colour Films in Britain

- The Eastmancolor Revolution
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The story of Eastmancolor''s arrival on the British filmmaking scene is one of intermittent trial and error, intense debate and speculation before gradual acceptance. This book traces the journey of its adoption in British Film and considers its lasting significance as one of the most important technical innovations in film history.

Through original archival research and interviews with key figures within the industry, the authors examine the role of Eastmancolor in relation to key areas of British cinema since the 1950s; including its economic and structural histories, different studio and industrial strategies, and the wider aesthetic changes that took place with the mass adoption of colour.

Their analysis of British cinema through the lens of colour produces new interpretations of key British film genres including social realism, historical and costume drama, science fiction, horror, crime, documentary and even sex films. They explore how colour communicated meaning in films ranging from the Carry On series to Monty Python''s Life of Brian (1979), from Lawrence of Arabia (1962) to A Passage to India (1984), and from Goldfinger (1964) to 1984 (1984), and in the work of key directors and cinematographers of both popular and art cinema including Nicolas Roeg, Ken Russell, Ridley Scott, Peter Greenaway and Chris Menges.

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kr 297
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20 kr
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Tjek vores konkurrenters priser

The story of Eastmancolor''s arrival on the British filmmaking scene is one of intermittent trial and error, intense debate and speculation before gradual acceptance. This book traces the journey of its adoption in British Film and considers its lasting significance as one of the most important technical innovations in film history.

Through original archival research and interviews with key figures within the industry, the authors examine the role of Eastmancolor in relation to key areas of British cinema since the 1950s; including its economic and structural histories, different studio and industrial strategies, and the wider aesthetic changes that took place with the mass adoption of colour.

Their analysis of British cinema through the lens of colour produces new interpretations of key British film genres including social realism, historical and costume drama, science fiction, horror, crime, documentary and even sex films. They explore how colour communicated meaning in films ranging from the Carry On series to Monty Python''s Life of Brian (1979), from Lawrence of Arabia (1962) to A Passage to India (1984), and from Goldfinger (1964) to 1984 (1984), and in the work of key directors and cinematographers of both popular and art cinema including Nicolas Roeg, Ken Russell, Ridley Scott, Peter Greenaway and Chris Menges.

Produktdetaljer
Sprog: Engelsk
Sider: 384
ISBN-13: 9781911239574
Indbinding: Paperback
Udgave:
ISBN-10: 1911239570
Udg. Dato: 16 dec 2021
Længde: 21mm
Bredde: 245mm
Højde: 190mm
Forlag: Bloomsbury Publishing PLC
Oplagsdato: 16 dec 2021
Forfatter(e) Keith M. Johnston, Sarah Street, Carolyn Rickards, Paul Frith


Kategori Fotografi: specifikke teknikker


ISBN-13 9781911239574


Sprog Engelsk


Indbinding Paperback


Sider 384


Udgave


Længde 21mm


Bredde 245mm


Højde 190mm


Udg. Dato 16 dec 2021


Oplagsdato 16 dec 2021


Forlag Bloomsbury Publishing PLC

Kategori sammenhænge