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Baroque Naturalism in Benjamin and Deleuze
- The Art of Least Distances
Engelsk Paperback
Baroque Naturalism in Benjamin and Deleuze
- The Art of Least Distances
Engelsk Paperback

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Om denne bog

​This book, itself a study of two books on the Baroque, proposes a pair of related theses: one interpretive, the other argumentative. The first, enveloped in the second, holds that the significance of allegory Gilles Deleuze recognized in Walter Benjamin''s 1928 monograph on seventeenth century drama is itself attested in key aspects of Kantian, Leibnizian, and Platonic philosophy (to wit, in the respective forms by which thought is phrased, predicated, and proposed).The second, enveloping the first, is a literalist claim about predication itself - namely, that the aesthetics of agitation and hallucination so emblematic of the Baroque sensibility (as attested in its emblem-books) adduces an avowedly metaphysical ''naturalism'' in which thought is replete with predicates. Oriented by Barbara Cassin''s development of the concerted sense in which homonyms are critically distinct from synonyms, the philosophical claim here is that ''the Baroque'' names the intervallic [διαστηµατική] relation that thought establishes between things. On this account, any subject finds its unity in a concerted state of disquiet - a state-rempli in which, phenomenologically speaking, experience comprises as much seeing as reading (as St Jerome encountering Origen''s Hexapla).

Product detaljer
Sprog:
Engelsk
Sider:
288
ISBN-13:
9783030664008
Indbinding:
Paperback
Udgave:
ISBN-10:
3030664007
Udg. Dato:
20 okt 2022
Længde:
0mm
Bredde:
148mm
Højde:
210mm
Forlag:
Springer Nature Switzerland AG
Oplagsdato:
20 okt 2022
Forfatter(e):
Kategori sammenhænge