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A Grammar of Cinepoiesis

- Poetic Cameras of Italian Cinema
Af: Silvia Carlorosi Engelsk Paperback

A Grammar of Cinepoiesis

- Poetic Cameras of Italian Cinema
Af: Silvia Carlorosi Engelsk Paperback
Tjek vores konkurrenters priser
Cinepoiesis, or cinema of poetry, strikes us as a strange combination, a phrase we initially read as an oxymoron. Poetry is often associated with the abstract and the evocative, while cinema suggests the concrete and the visible. Yet, various visual media use strong and often contradictory images, whose symbolic force and visual impact stimulate the public’s attention. Abstract and emblematic images surround us, and the poetic nature of these images lies in the way they speak beyond their apparent limits and stimulate connections on a subjective level. A prosaic world like the contemporary one, though, no longer seems to hold a place for poetry. We are inundated by the need to tell and to be told, the need to build our lives through narratives. But it is precisely here, in this contemporary landscape, that the cinema of poetry attempts to establish a space for itself, exchanging the productive and industrial apparatus for the poetic stimulus of a sensory experience. A Grammar of Cinepoiesis is a theoretical and practical guide to the cinema of poetry, to its tools and forms. It examines how the language of a “cinema of poetry” works both in its theoretical foundations and in its modes of representation, and how it takes shape in the exemplary practice of Italian authors such as Pier Paolo Pasolini, Michelangelo Antonioni, Federico Fellini, and the more recent Franco Piavoli and Matteo Garrone.
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Cinepoiesis, or cinema of poetry, strikes us as a strange combination, a phrase we initially read as an oxymoron. Poetry is often associated with the abstract and the evocative, while cinema suggests the concrete and the visible. Yet, various visual media use strong and often contradictory images, whose symbolic force and visual impact stimulate the public’s attention. Abstract and emblematic images surround us, and the poetic nature of these images lies in the way they speak beyond their apparent limits and stimulate connections on a subjective level. A prosaic world like the contemporary one, though, no longer seems to hold a place for poetry. We are inundated by the need to tell and to be told, the need to build our lives through narratives. But it is precisely here, in this contemporary landscape, that the cinema of poetry attempts to establish a space for itself, exchanging the productive and industrial apparatus for the poetic stimulus of a sensory experience. A Grammar of Cinepoiesis is a theoretical and practical guide to the cinema of poetry, to its tools and forms. It examines how the language of a “cinema of poetry” works both in its theoretical foundations and in its modes of representation, and how it takes shape in the exemplary practice of Italian authors such as Pier Paolo Pasolini, Michelangelo Antonioni, Federico Fellini, and the more recent Franco Piavoli and Matteo Garrone.
Produktdetaljer
Sprog: Engelsk
Sider: 222
ISBN-13: 9781498509862
Indbinding: Paperback
Udgave:
ISBN-10: 149850986X
Kategori: Medievidenskab
Udg. Dato: 12 apr 2019
Længde: 17mm
Bredde: 228mm
Højde: 153mm
Forlag: Lexington Books
Oplagsdato: 12 apr 2019
Forfatter(e): Silvia Carlorosi
Forfatter(e) Silvia Carlorosi


Kategori Medievidenskab


ISBN-13 9781498509862


Sprog Engelsk


Indbinding Paperback


Sider 222


Udgave


Længde 17mm


Bredde 228mm


Højde 153mm


Udg. Dato 12 apr 2019


Oplagsdato 12 apr 2019


Forlag Lexington Books