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The Renaissance of Etching

The Renaissance of Etching

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The first comprehensive look at the origins and diffusion across Europe of the etched print during the late 15th and early 16th centuries The etching of images on metal, originally used as a method for decorating armor, was first employed as a printmaking technique at the end of the 15th century. This in-depth study explores the origins of the etched print, its evolution from decorative technique to fine art, and its spread across Europe in the early Renaissance, leading to the professionalization of the field in the Netherlands in the 1550s. Beautifully illustrated, this book features the work of familiar Renaissance artists, including Albrecht Dürer, Jan Gossart, Pieter Breughel the Elder, and Parmigianino, as well as lesser known practitioners, such as Daniel Hopfer and Lucas van Leyden, whose pioneering work paved the way for later printmakers like Rembrandt and Goya. The book also includes a clear and fascinating description of the etching process, as well as an investigation of how the medium allowed artists to create highly detailed prints that were more durable than engravings and more delicate than woodblocks. Published by The Metropolitan Museum of Art/Distributed by Yale University PressExhibition Schedule:The Metropolitan Museum of Art, New York (October 23, 2019–January 19, 2020)
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The first comprehensive look at the origins and diffusion across Europe of the etched print during the late 15th and early 16th centuries The etching of images on metal, originally used as a method for decorating armor, was first employed as a printmaking technique at the end of the 15th century. This in-depth study explores the origins of the etched print, its evolution from decorative technique to fine art, and its spread across Europe in the early Renaissance, leading to the professionalization of the field in the Netherlands in the 1550s. Beautifully illustrated, this book features the work of familiar Renaissance artists, including Albrecht Dürer, Jan Gossart, Pieter Breughel the Elder, and Parmigianino, as well as lesser known practitioners, such as Daniel Hopfer and Lucas van Leyden, whose pioneering work paved the way for later printmakers like Rembrandt and Goya. The book also includes a clear and fascinating description of the etching process, as well as an investigation of how the medium allowed artists to create highly detailed prints that were more durable than engravings and more delicate than woodblocks. Published by The Metropolitan Museum of Art/Distributed by Yale University PressExhibition Schedule:The Metropolitan Museum of Art, New York (October 23, 2019–January 19, 2020)
Produktdetaljer
Sprog: Engelsk
Sider: 304
ISBN-13: 9781588396495
Indbinding: Hardback
Udgave:
ISBN-10: 1588396495
Kategori: Kunsthistorie
Udg. Dato: 12 nov 2019
Længde: 35mm
Bredde: 236mm
Højde: 274mm
Forlag: Metropolitan Museum of Art
Oplagsdato: 12 nov 2019
Forfatter(e) Catherine Jenkins, Nadine M. Orenstein, Freyda Spira


Kategori Kunsthistorie


ISBN-13 9781588396495


Sprog Engelsk


Indbinding Hardback


Sider 304


Udgave


Længde 35mm


Bredde 236mm


Højde 274mm


Udg. Dato 12 nov 2019


Oplagsdato 12 nov 2019


Forlag Metropolitan Museum of Art